{"id":10812,"date":"2014-12-07T16:34:04","date_gmt":"2014-12-07T15:34:04","guid":{"rendered":"http:\/\/novamuska.org\/?p=10812"},"modified":"2014-12-07T16:34:04","modified_gmt":"2014-12-07T15:34:04","slug":"plosca-jerry-lee-lewis-rocknroll-time-vanguard-2014","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=10812","title":{"rendered":"PLO\u0160\u010cA: Jerry Lee Lewis – Rock’n’Roll Time (Vanguard, 2014)"},"content":{"rendered":"

\"jerrylee_rnr\"<\/a><\/p>\n

Letos septembra smo z velikim navdu\u0161enjem prijeli v roke plo\u0161\u010do z naslovom The Knox Phillips Sessions<\/em> <\/a>iz druge polovice 1970 let, ko se je za me\u0161alkami in tudi po produkcijski plati dokon\u010dno potrdil Knox, sin Sama Phillipsa, in z Jerryjem Leejem ustvaril nekaj odli\u010dnih posnetkov standardov od Bad, Bad Leroy Brown<\/em> Jima Croceja do Beautiful Dreamer<\/em> Stephena Fosterja. Oktobra nas je presenetil \u010disto sve\u017e Killerjev album Rock’n’Roll<\/em> Time<\/em>, ki ga je promoviral tudi v televizijski oddaji Davida Lettermana.<\/p>\n

Jerry Lee \u0161e vedno nastopa, 79-letni duh mu ne da miru, \u0161e vedno je samosvoj in uporni\u0161ki, tu pa tam \u0161e vedno brcne kak stol. Tudi snema bolj ali manj redno. Po dveh albumih sodelovanj z najrazli\u010dnej\u0161imi imeni, od Keitha Richardsa do Kida Rocka, Last Man Standing<\/em> (2006) in Mean Old Man<\/em> (2010), s katerima je pokazal, da mu marsikateri sodelavec \u0161e vedno ni kos, je tu novo delo. Rock’n’Roll Time potrdi, da se Killer stara dostojanstveno in da plamen \u0161e ne misli ugasniti.<\/p>\n

K sodelovanju je spet povabil \u017eidan niz veteranov, vendar je tokratna plo\u0161\u010da precej bolj solisti\u010dno usmerjena. Gostje zgolj obarvajo to ali ono izvedbo, denimo Neil Young v priredbi stalnice Bright Lights<\/em> in Big City<\/em> Jimmyja Reeda, ali Keith Richards in Ron Wood v Little Queenie<\/em> Chucka Berryja. Naslovna Rock’n’Roll Time<\/em><\/a> je countrybluesovska balada Krisa Kristoffersona, Rogerja McGuinna in Boba Neuwirtha ter je kar nekak\u0161na programska pesem. Z njo Jerry Lee povzame svojo kariero in potrdi tudi, da se \u0161e ne misli posloviti. Pod njegovimi prsti in z namerno nekolikanj utrujeno interpretacijo postane pesem skorajda pretresljiva izpoved osemdesetletnika, ki se \u0161e vedno ni\u010desar ne sramuje (in malo\u010desa boji). Kristofferson je podpisal \u017ee naslovno pesem prej\u0161njega Killerjevega albuma, na tej plo\u0161\u010di pa Jerry Lee izvaja \u0161e njegovo Here Comes That Rainbow Again<\/em>. Posegel je tudi po repertoarju Chucka Berryja (ob Little Queenie \u0161e\u00a0 Promised Land<\/a><\/em>), Fatsa Domina (Sick And Tired<\/em>), Boba Dylana (Stepchild<\/em>, ki ga je Dylan izvajal na turneji leta 1978 pod naslovom Am I Your Stepchild) in Johnnyja Casha Folsom Prison Blues<\/em><\/a>. V njem po stari navadi Jerry Lee prireja besedilo in se ogovarja: \u00bbWhen I was just a baby, mama told me: son, y’oughta be a good boy, Jerry, don’t mess around with no gun\u00ab \u2026 \u00bbAll them women keep on movin’, that tortures rock’n’rollin’ Jerry Lee.\u00ab<\/em><\/p>\n

Na plo\u0161\u010di spet sli\u0161imo tudi kitaro Kennyja Lovelacea, bobne Jima Keltnerja, spremljevalni glas Vonde Shepard, v Kristoffersonovi Here Comes That Rainbow Again pritegne Shelby Lynne. Kot avtor se spet pojavi stari Killerjev prijatelj Mack Vickery, ki je v 1970 letih zanj spisal nekaj najbolj\u0161ih pesmi, denimo That Kind Of Fool<\/em>. Ne manjka niti repertoar Jimmieja Rodgersa Blues Like Midnight<\/em><\/a>. Z zaklju\u010dno ognjevito Berryjevo Promised Land<\/em>, ki bi jo lahko pustili v nekolikanj podalj\u0161ani razli\u010dici, se album izte\u010de in pod \u010drto lahko zapi\u0161emo, da je kot celota mo\u010dnej\u0161i od obeh predhodnikov, ki sta Killerja komercialno spet pripeljala pred raznoliko ob\u010dinstvo. Morda gre za mo\u010dnej\u0161i album prav zato, ker so gostje manj v ospredju kot v letih 2006 in 2010. Jerry Lee je spet glavni \u00bbchairman of the board\u00ab<\/em>. Kar poslu\u0161ajte Mississippi Kid<\/em> Ala Kooperja, ako ne verjamete \u2013 zdi se, da poslu\u0161amo Jerryja Leeja na vrhuncu mo\u010di v 1970 letih, ne pa skoraj \u0161tirideset let pozneje, kar seveda pomeni, da je njegovo delo tudi dandanes \u0161e kako pomembno in referen\u010dno. Kratka spremna beseda k plo\u0161\u010di Petra Guralnicka spregovori o sicer\u0161njih glasbenih adutih protagonista, o katerih sicer ni nikoli nih\u010de podvomil, in s samo plo\u0161\u010do se le \u0161e potrjujejo.<\/p>\n

Morda ob tem \u0161e tole: v pesmih Blues Like Midnight in Folsom Prison Blues poprime za kitaro tudi sam Jerry Lee, kar nas spomni na tisti prosluli koncert iz leta 1969 v Torontu, ko tedaj fizi\u010dno in tudi sicer \u0161e nekoliko bolj divji Jerry Lee mno\u017eici po brezompromisnem nabijanju na klavir naenkrat spregovori: \u00bbNaj vam poka\u017eem, kako dober sem na kitari!\u00ab<\/p>\n","protected":false},"excerpt":{"rendered":"

Z gosti v ozadju je \u0161e mo\u010dnej\u0161i<\/p>\n","protected":false},"author":30,"featured_media":10813,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-10812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10812"}],"version-history":[{"count":1,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10812\/revisions"}],"predecessor-version":[{"id":10814,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10812\/revisions\/10814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/10813"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}