{"id":10877,"date":"2014-12-20T19:18:00","date_gmt":"2014-12-20T18:18:00","guid":{"rendered":"http:\/\/novamuska.org\/?p=10877"},"modified":"2014-12-20T19:18:00","modified_gmt":"2014-12-20T18:18:00","slug":"plosca-hookworms-the-hum-weird-worlddomino-2014","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=10877","title":{"rendered":"PLO\u0160\u010cA: Hookworms \u2013 The Hum (Weird World\/Domino, 2014)"},"content":{"rendered":"

\"Hookworms_the_Hum_cover\"<\/a><\/p>\n

Psihedelija se je po\u0161teno za\u017erla v aktualno rockovsko produkcijo, postala je pomemben kos izraznosti. Na trenutke se zazdi, da brez nje preprosto ne gre. Ta porast in raz\u0161irjenost sam povezujem z zme\u0161anim \u010dasom, v katerem \u017eivimo, ko nam vladajo abotnosti in nonsensi, s katerimi no\u010demo imeti opravka oziroma nam zmanjkuje besed in mo\u010di, da bi se jim uspe\u0161no zoperstavili. Sama psihedelija se ponuja kot oblika bega, odklopa, odklona. Tudi revolta\u2026 in \u017ee smo pri punku. Vendar psihedelija ima ve\u010d s postpunkom, zato ne \u010dudi, da sta se tako lepo sparila v aktualni rockovski tok, ki ga med drugim jaha bend Hookworms<\/a> s plo\u0161\u010do The Hum<\/em>. Z njo se je po \u0161tirih letih obstoja in trdega dela v podtalju kvintet iz Leedsa prebil v ospredje zanimivej\u0161ih in tudi izpostavljenej\u0161ih bendov nove generacije na Oto\u010dju. Novembra je bila The Hum plo\u0161\u010da meseca v trgovinah Rough Trade.<\/p>\n

Hookworms so z njo dozoreli. Ohranjajo ostrino z za\u010detka poti, njihova govorica pa postaja vedno bolj trda in samozavestna. Po\u0161teno zajemajo iz veder kraut rocka, postpunka, psihedelije, noise rocka, gara\u017enega rocka in vse skupaj me\u0161ajo v natempirano bombo repeticije in vesolja zvokov, ki pa nikoli ne po\u010di. \u010ceprav se klaviature in kitare ves \u010das izzivajo in zapletajo v vertigo, \u010deprav zna pevec po\u0161teno preglasiti ves stampedo, \u010deprav stopnjevanj ne zmanjka, je razvle\u010denost problem marsikatere pesmi na plo\u0161\u010di.<\/p>\n

Pozdravi nas furija The Impasse<\/em><\/a>. Po uvodnem diru se v hipu spremeni je\u017ea v lagodno On Leaving<\/a><\/em>, ki se prelije v zvo\u010dno kompozicijo iv<\/em>. Skupaj z v<\/em> in vi<\/em>, ki sledita v nadaljevanju, razbije intimo in fluidnost albuma. Sicer je bil namen Hookworms ustvariti \u010dim bolj teko\u010do plo\u0161\u010do, a zmeraj ko zaplavajo v sfere raziskovanja zvoka, izgubijo na izkazani potenci. V \u017eivo morda izpade bolje ali celo u\u010dinkuje, na sami plo\u0161\u010di pa je ve\u010dina pritaknjenih odklopov nedomi\u0161ljena oziroma ponesre\u010deno ma\u0161ilo (ali pa ne \u0161tekam koncepta). V melanholi\u010dni Off Screen<\/em> izginejo vsi sunkoviti in kri\u010de\u010di momenti. Ponudi se mehka plat Hookworms, ki pa sredi poti obvisi nekje vmes. \u0160e dobro, da so na konec pritisnili Retreat<\/em>, ki nas prebudi. Poigravanja z nasprotij (energi\u010dnost vs. zamaknjenost, napadalnost vs. odmaknjenost) gre Hookworms najbolje od rok v napetih in vihravih komadih kot sta \u0161e Radio Tokyo<\/em><\/a> in Beginners<\/em>. V njih dobijo veliko ve\u010d vetra v krila, kam jih bo zares odnesel pa bomo sli\u0161ali \u010dez \u010das.<\/p>\n

Tako kot Black Angels ne morejo skriti teksa\u0161kega porekla oziroma kot A Place To Burns Strangers ne morejo skriti newyor\u0161kega duha, tudi Hookworms ne skrivajo svoje angle\u0161kosti in prav to je njihova najbolj\u0161a plat, ki si jo bom dovolil karikirati s kri\u017eancem Spaceman 3 in Oasis.<\/p>\n","protected":false},"excerpt":{"rendered":"

Toplo hladno toplo<\/p>\n","protected":false},"author":11,"featured_media":10878,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-10877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10877"}],"version-history":[{"count":2,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10877\/revisions"}],"predecessor-version":[{"id":10880,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/10877\/revisions\/10880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/10878"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}