{"id":11921,"date":"2015-05-12T13:00:19","date_gmt":"2015-05-12T11:00:19","guid":{"rendered":"http:\/\/novamuska.org\/?p=11921"},"modified":"2015-06-21T20:34:09","modified_gmt":"2015-06-21T18:34:09","slug":"iz-zakladnice-velikih-robnih-albumov-47","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=11921","title":{"rendered":"Iz zakladnice velikih robnih albumov (47)"},"content":{"rendered":"<p><a href=\"https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11922\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus.jpg\" alt=\"MC FT Jesus\" width=\"247\" height=\"247\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus.jpg 225w, https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2015\/05\/MC-FT-Jesus-110x110.jpg 110w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>MC 900 FT Jesus : <em>Welcome to My Dream<\/em><\/strong> (Nettwerk, 1991)<\/p>\n<p>&nbsp;<\/p>\n<p>Izdaja tega albuma je precej razburkala in dobro vznemirila alter glasbene kroge. Griffin, priden \u0161tudent glasbe in klasi\u010dno izu\u010deni trobenta\u010d, je \u017ee s prvim albumom <em>Hell with the Lid Off<\/em> (1989) vrgel kost, ki so jo popadli \u0161tevilni, hiphop krogi, alter-rock kro\u017eki, celo impro-jazz klike, leta 1992 so jih kot \u00bbdalla\u0161ke raperje\u00ab uvrstili v program novega jazza v nem\u0161kem Moersu.<\/p>\n<p><em>Welcome to my dream<\/em> je dokon\u010dno naplavila muziko, ki je bila studijsko narejena, dobro odigrana v \u017eivo z vso uporabo elektro-reprodukcijske \u0161are, ki gre zraven in je danes del paketne opreme vsakega benda ali posameznika, najbolj pa je zadela zato, ker je sovpadla s splo\u0161nim more\u010dim dru\u017ebenim vzdu\u0161jem (kaj naj na to re\u010demo \u0161ele danes?), osebnimi paranojami, tesnobo. In \u010de re\u010demo, da je bila ta muzika odigrana in predstavljena v \u017eivo, potem ne moremo mimo doneska spektakularnega did\u017eeja, sodelavca na prvem in pri\u010dujo\u010dem albumu \u2013 to je bil DJ Zero s pravim imenom Patrick Rollins je z gramofonsko ro\u010dko in iglo izbavljal mogo\u010de in nemogo\u010de, vra\u017eje dobro rokoval in dodajal nesluteno soni\u010dno komponento, ki ni samo \u00bbscratch\u00ab, \u00bbvrte\u010di se vzorec\u00ab, marve\u010d ve\u010d, tvorno poseganje in oblikovanje tvarine.<\/p>\n<p>Na Griffinu ni bilo ni\u010d spektakularnega, zlasti \u010de spomnimo, da je nekako izhajal iz hiphopa in ves \u010das uhajal iz njega. Celo sam je v nekem intervuju pripomnil, da je bila publika na koncertih precej razo\u010darana nad njegovo pojavo, pa\u010d ni bil za hiphop vnaprej dolo\u010den, rasizirano nevarni <em>black man, <\/em>ampak navaden bledoli\u010dni <em>honkey<\/em>; brez barvite odrske prezence, tak piflar. Zato pa je imel alterega v personi DJ Zera, ki je navzven predstavljal vse to, kar Griffin ni. Zato pa je predstavljal uspeli spoj hiphopa z jazzom, intuitivnim hrupom, z zvedavo histori\u010dno glasbeno \u017eilico, hrupnimi odvodi, vse nategnjeno na albumu, ki je zbirka fantazijskih pripovedi, drobnih psihotrilerjev v pregnanem glasbenem omotu. To so turobne majhne \u0161torije, ki se podijo po glavi vsakdanjika in slehernika, na robu norosti, dejanja obupa, brez stika, a s stikalom, ki lahko spro\u017ei dru\u017ebeno norost.<\/p>\n<p>V glasbenem smislu je ta album produktivna interpretacija tedaj \u017ee zablodelega \u00bbfusion jazza\u00ab, fino vra\u010danje k staremu Milesovemu soundu in konturam, a to ni posnemanje, zraven pa podajanje dobrega zankanja funka in zamaknjenega \u00bboff-beata\u00ab; zato so\u010dasno vzbuja ob\u010dutenje anemi\u010dne hladnosti in anga\u017eiranega posega v tvarino. Tak alter-plesni album v nekaj kosih in ohlapno pripovedovalno ambientalen v drugih. Intriga.<\/p>\n<p>Griffin, se pravi MC 900 FT Jesus (samoimenovan po zblodelih retori\u010dnih-vizijah-govorancah gore\u010dega TV pridigarja), je o albumu leta 1991 povedal tole: \u00bb\u010cetudi ta album obsega precej \u017eivih in\u0161trumentalnih sestavin, je \u0161e zmerom v ve\u010dini narejen po hiphopovsko. Basist je odigral osnovni riff, nato sem vzor\u010dil \u0161tiri takte in jih zazankal. Podobno sem delal s kitarskimi parti. \u010ce sta v komadu dva kitarska parta, sem sam zankal enega, drugega pa igral v \u017eivo tekom komada. Osnovna zamisel je iskanje ravnovesja med mehanskim hiphop zvenom in zvokom \u017eivega benda\u00ab.<\/p>\n<p>Glas je umaknjen, moduliran, pokve\u010den, govori od nekod zadaj, \u00bbiz notranjosti\u00ab, iz mentalnega \u00bboffa\u00ab, blode\u010d, ametri\u010den, pripovedno moten, fragmentiran.<\/p>\n<p>Dobrodo\u0161li torej v moraste sanje, ki jih tolma\u010di MC 900 FT Jesus.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/T1Fq8J4Um4I\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robni albumi, sedemin\u0161tirideseti\u010d. MC 900 FT Jesus in Welcome to My Dream.<\/p>\n","protected":false},"author":20,"featured_media":11922,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[110],"tags":[],"class_list":["post-11921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-robni-albumi"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/11921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11921"}],"version-history":[{"count":5,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/11921\/revisions"}],"predecessor-version":[{"id":12457,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/11921\/revisions\/12457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/11922"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}