{"id":14344,"date":"2016-05-25T01:37:18","date_gmt":"2016-05-24T23:37:18","guid":{"rendered":"http:\/\/novamuska.org\/?p=14344"},"modified":"2016-05-23T13:41:23","modified_gmt":"2016-05-23T11:41:23","slug":"bob-dylan-fallen-angels-columbia-2016","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=14344","title":{"rendered":"Bob Dylan \u2013 Fallen Angels (Columbia, 2016)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14345 aligncenter\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-600x600.jpg\" alt=\"Bob-Dylan-Fallen-Angels-ARTWORK\" width=\"600\" height=\"600\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-600x600.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-1024x1024.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-768x768.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK-110x110.jpg 110w, https:\/\/novamuska.org\/wp-content\/uploads\/2016\/05\/Bob-Dylan-Fallen-Angels-ARTWORK.jpg 1500w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Leta 2014 je Bob Dylan posnel nekaj \u010dez dvajset standardov, zve\u010dine povezanih z imenom in kariero Franka Sinatre. Dylan se ni zadovoljil z zbirko najve\u010djih Sinatrovih uspe\u0161nic, ampak je posegel globoko v ameri\u0161ko zgodovino popularne glasbe in izbral tudi nekatere pesmi, ki jih je Sinatra sicer posnel, a so ve\u010dji uspeh in prepoznavnost do\u017eivele v drugih razli\u010dicah, od Binga Crosbyja do Louisa Armstronga, Frankieja Lainea itd. Prvi del teh posnetkov je z naslovom <em>Shadows In The Night<\/em> iz\u0161el lani februarja, letos pa je tu drugi del. Z dvanajstimi pesmimi je Dylan v glavnem izpraznil zalogo. Nekaj podobnega je naredil \u017ee v za\u010detku 1990 let, ko je zaporedoma izdal dva albuma starih bluesovskih in folkovskih napevov, ti izdaji pa nasledil z enim svojih najbolj\u0161ih avtorskih albumov, <em>Time Out Of Mind<\/em>.<\/p>\n<p>Da Dylan kot pevec standardov ni od muh, je dokazal \u017ee na \u0161tevilnih nastopih, na bo\u017ei\u010dni plo\u0161\u010di, ki jo je izdal leta 2009, in zdaj to dokazuje tudi na omenjenih albumih. Na pri\u010dujo\u010dem spet sre\u010damo nekaj zgodnjega Sinatrovega gradiva (<em>All Or Nothing At All<\/em>, <em>Polka Dots And Moonbeams<\/em>), nekaj pesmi, ki so jih posneli domala vsi veliki jazzovski in popularni vokalisti (<em>That Old Black Magic<\/em>) in par \u00bbpoznej\u0161ih\u00ab Sinatrovih pesmi, torej izdanih v obdobju po uspehu filma Od tod do ve\u010dnosti (<em>Young At Heart<\/em>, <a href=\"https:\/\/www.youtube.com\/watch?v=zPuyT6EtRQ0\"><em>All The Way<\/em><\/a>). Izvedbe, kot na prvem delu, niso orkestralne, pa\u010d pa se nam ob poslu\u0161anju (zlasti z vinila) zazdi, da poslu\u0161amo kak\u0161nega starega uli\u010dnega bluesovskega pevca. Njegov pet\u010dlanski bend nikoli ne pretirava, zlasti drsna kitara in metlice nadvse primerno \u010darajo vzdu\u0161je starih \u010dasov, tistih \u00bbmodern times\u00ab, ki jih je Dylan po Chaplinovem navdihu opeval \u017ee leta 2006. Zanimivo bo ugibati, kako bo z naslednjimi Dylanovimi avtorskimi poglavji, \u010dakamo torej naslednika albuma <em>Tempest <\/em>(2012), ki mu ni bilo \u010desa o\u010ditati, nasprotno.<\/p>\n<p><iframe loading=\"lazy\" title=\"Bob Dylan - &quot;Melancholy Mood (Audio)&quot;\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/T2xBaX5awlc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drugi del Sinatrovih &#8220;standardov&#8221;<\/p>\n","protected":false},"author":30,"featured_media":14345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-14344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/14344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14344"}],"version-history":[{"count":2,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/14344\/revisions"}],"predecessor-version":[{"id":14347,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/14344\/revisions\/14347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/14345"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}