{"id":15467,"date":"2016-11-02T14:22:27","date_gmt":"2016-11-02T13:22:27","guid":{"rendered":"http:\/\/novamuska.org\/?p=15467"},"modified":"2016-11-02T14:22:27","modified_gmt":"2016-11-02T13:22:27","slug":"the-beatles-live-at-the-hollywood-bowl-appleuniversal-2016","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=15467","title":{"rendered":"The Beatles – Live at the Hollywood Bowl (Apple\/Universal, 2016)"},"content":{"rendered":"

\"beatles-bowl\"<\/p>\n

\u00bbAti, so bili Beatli tako dobri kot Bay City Rollers?\u00ab – \u00bbVerjetno ne!\u00ab Zabaven dialog med najmlaj\u0161o potomko producenta Georgea Martina in starosto samim, ki je leta 1977 pripravil prvo razli\u010dico pri\u010dujo\u010dega albuma. \u0160lo je za edino uradno koncertno plo\u0161\u010do Beatlov, posnetki pa so bili stari ve\u010d kot deset let. Martin je bil vedno skepti\u010den do kon\u010dnega izdelka, saj se Beatlov ni skorajda ni\u010d sli\u0161alo iz kri\u010danja in vsesplo\u0161ne evforije ob\u010dinstva na legendarnih ameri\u0161kih nastopih 1964 in 1965. Na novi, obdelani razli\u010dici, se Beatle sli\u0161i bolje. To\u010dneje: Beatle se kon\u010dno le sli\u0161i.<\/p>\n

Nekdanje polurne nastope je morda komu te\u017eko primerjati z dana\u0161njimi maratonskimi koncerti, a Beatli niso imeli \u010dasa za maratone. \u010ce niso bili na odru, so bili v studiu, \u010de niso bili v studiu, so imeli fotoseanse, \u010de \u017ee niso bili pred kamero, so bili br\u017e\u010das spet v studiu. Nenehno na poti in nenehno pod pritiskom ustvarjati in po\u0161iljati nove pesmi med ob\u010dinstvo. V ZDA je bil ta tempo zastavljen \u0161e bolj divje: na vsak angle\u0161ki album sta v povpre\u010dju pri\u0161la dva ameri\u0161ka. Beatli sami niso imeli pojma, kaj se dogaja pri Capitolu, ki je skrbel za njihovo diskografijo v ZDA in jo masakriral do absolutnega, brez kakr\u0161ne koli empatije ali spo\u0161tovanja do umetni\u0161ke integritete. Brigalo jih je, kako so si Beatli zamislili svoje plo\u0161\u010de, da je le bilo dovolj gradiva za nenehne izide.<\/p>\n

Beatli so nastope leta 1964 in 1965 \u0161e vedno bolj ali manj uokvirjali v rokenrolovsko klasiko; po letu 1964 manj, a na nastopih so \u0161e vedno izvajali pesmi Larryja Williamsa, Little Richarda, Chucka Berryja, Carla Perkinsa in drugih. Tako se tudi na pri\u010dujo\u010di \u00bbobdelani\u00ab razli\u010dici kalifornijska zgodba za\u010denja s Twist And Shout<\/em> in uradno kon\u010duje z Long Tall Sally<\/em>. Kot bonus so tu \u0161e \u0161tiri pesmi, tri avtorske in Perkinsova Everybody’s Trying To Be My Baby<\/em>. Od novej\u0161ih uspe\u0161nic najdemo Help!<\/em> in Ticket To Ride<\/em>, albuma Rubber Soul<\/em> \u0161e ni bilo. Preostalo je beatlovski standard iz tistih let: nekaj zgodnjih uspe\u0161nic (All My Loving<\/em>, She Loves You<\/em>, I Want To Hold Your Hand<\/em>), obvezna Ringova pesem Boys<\/em>, pa prerez s plo\u0161\u010d leta 1964 (Can’t Buy Me Love<\/em>, She’s A Woman<\/em>, You Can’t Do That<\/em>, Baby’s In Black<\/em>). Kritiki se najbolj navdu\u0161ujejo nad izvedbo McCartneyjeve Things We Said Today<\/em> (z angle\u0161kega albuma A Hard Day’s Night<\/em> in ameri\u0161kega Something New<\/em> iz 1964), ki je obveljala za eno prvih beatlovskih pesmi \u00bbs te\u017eo\u00ab, \u010deprav je \u017ee Lennonova A Hard Day’s Night <\/em>in, \u010de smo po\u0161teni, There’s A Place<\/em> iz leta 1963, skrivala dokaze o tem, da Beatli niso zgolj lahkotni rokenrolovski bend. Things We Said Today<\/em> je v \u017eivo zagrmela bolj kot s plo\u0161\u010de, zlasti je bil opazen razkorak v tempu med kiticami in srednjim delom, ko se vzdu\u0161je \u00bbrazbesni\u00ab in nato, v kiticah, spet pade nazaj v umirjenost. Novi izdaji, ki sicer najavlja tudi film Eight Day’s A Week<\/em> o beatlovskih turnejah (tudi pri nas si ga lahko ogledamo na Liffe<\/a>), je prilo\u017eena knji\u017eica s podatki, eseji in arhivskim gradivom, \u010dakamo pa \u0161e vinilno razli\u010dico, ki bojda pride sredi novembra.<\/p>\n","protected":false},"excerpt":{"rendered":"

Koncertna evforija iz 1964 in 1965<\/p>\n","protected":false},"author":30,"featured_media":15468,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-15467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/15467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15467"}],"version-history":[{"count":1,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/15467\/revisions"}],"predecessor-version":[{"id":15469,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/15467\/revisions\/15469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/15468"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}