{"id":1787,"date":"2010-11-26T15:34:57","date_gmt":"2010-11-26T14:34:57","guid":{"rendered":"http:\/\/novamuska.org\/?p=1787"},"modified":"2013-02-12T11:10:52","modified_gmt":"2013-02-12T10:10:52","slug":"plosca-laura-marling-i-speak-because-i-can-virgin-2010","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=1787","title":{"rendered":"PLO\u0160\u010cA: Laura Marling \u2013 I Speak Because I Can (Virgin, 2010)"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u201cThat might be a part of this\/Ripple on the water from a lonesome dip\/A fallen tree that witnessed me\/I\u2019m alone, him and me<\/em>,\u201d nas v album napol \u0161epetajo\u010de vpelje Laura<\/em> Marling<\/em>, predno prvi komad Devil\u2019s<\/em> Spoke<\/em> pograbi stampedo bend\u017ea, akusti\u010dne kitare, bobnov in \u010dela ter se dokon\u010dno razleti v zadnji verz, s katerim nam na \u010duden na\u010din iztrga obleko (\u201cEye to eye\/ Nose to nose\/Ripping off each others clothes\/In the most peculiar way<\/em>\u201d).<\/p>\n

V\u010dasih je plo\u0161\u010de dobro sli\u0161ati gol in bos. I Speak Because I Can<\/em> je ena tak\u0161nih.<\/p>\n

Te\u017eko je verjeti, da je tako zrel izdelek plod dveletnega dela komaj dvajsetletne Laure Marling, ki je \u017ee s prvencem Alas I Cannot Swim<\/em> (Virgin, 2008) zganila tako poslu\u0161alce kot kritike in si prislu\u017eila nominacijo za presti\u017eno britansko glasbeno nagrado Mercury.<\/p>\n

Biv\u0161a \u010dlanica londonskega indie pop-folk kolektiva Noah & The Whale<\/em> je predsednika komisije nagrade Mercury Simona<\/em> Fritha<\/em>, znanega sociologa glasbe in glasbenega kritika, ter ostale \u010dlane odbora tudi s tokratnim izdelkom prepri\u010dala v vnovi\u010dno nominacijo.<\/p>\n

In \u010detudi jo je pri nagradah spodnesel zahodno londonski elektro pop-rock trio The xx<\/em>, je doti\u010dna plo\u0161\u010da Marlingove (poleg prvenca Sigh No More<\/em> njenih kolegov in sotrudnikov iz \u010dasa \u201cNoaha\u201d Mumford & Sons<\/em>) ena bolj zapomnljivih in zanimivih poglavij novodobne britanske muzike, ki ubira svojsko pot med kantavtorskimi in folkija\u0161kimi bli\u017enjicami ter stranpotmi.<\/p>\n

I Speak Because I Can s prefinjenimi stilskimi, aran\u017emajskimi in produkcijskimi prijemi na tema\u010den in metafori\u010den, malone \u00bbljudski\u00ab na\u010din razgalja elementarnost\u00a0 med\u010dlove\u0161kih odnosov ter z anga\u017eiranim \u00bbsongwritingom\u00ab pre\u010di dualisti\u010dno razumevanje erosa in tanatosa.<\/p>\n

Ljubezen, seks, bole\u010da razhajanja, strah, strast, smrt, ki prevevajo deseterico komadov, odpoje in odigra s sugestivno narativnostjo, ki na trenutke spominja na Dylana<\/em> (Devil’s Spoke), introvertirano modalnost Nicka<\/em> Draka<\/em> (I Speak Because I Can<\/em>) ali intimno izpovednostjo Joni<\/em> Mitchell<\/em> (Rambling Man<\/em>).<\/p>\n

Zgodbe, ki jih pripoveduje, se mojstrsko spletajo s sicer skromnim, a\u00a0 premi\u0161ljeno izbranim instrumentarijem, v katerem prednja\u010dijo subtilne medigre \u010dela, akusti\u010dne kitare in nekli\u0161ejsko aran\u017eiranih vokalnih harmonij. Dramati\u010dna Alpha Shallows<\/em> in nostalgi\u010dno-liri\u010dna Goodbye Old England<\/em> sta morda najbolj eklatantna primera tak\u0161ne minimalisti\u010dne, izrazno \u010diste, a polnozvo\u010dne produkcije, pod katero se je podpisal Ethan<\/em> Johns<\/em>, znan tudi po svojem delu s skupino Kings<\/em> of<\/em> Leon<\/em>, Rufusom<\/em> Wainwrightom<\/em> in Emmylou<\/em> Harris<\/em>.<\/p>\n

\u010cetudi bi drugi plo\u0161\u010di Marlingove lahko kdo o\u010dital rahlo pomanjkanje pesni\u0161ke oziroma narativne konsistentnosti, izkustvene ostrine in nabru\u0161enosti, si upam trditi, da I Speak Because I Can napoveduje silovit vzpon kreativnosti rosno mlade in vznemirljive avtorice. Da je le ne bi odneslo v lenobne mainstream vode, v kateri plavajo velike in zdolgo\u010dasene ribe.<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u010dasih je plo\u0161\u010de dobro sli\u0161ati gol in bos. I Speak Because I Can je ena tak\u0161nih…<\/p>\n","protected":false},"author":16,"featured_media":1788,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/1787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1787"}],"version-history":[{"count":4,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/1787\/revisions"}],"predecessor-version":[{"id":1792,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/1787\/revisions\/1792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/1788"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}