{"id":18745,"date":"2018-11-09T01:14:42","date_gmt":"2018-11-09T00:14:42","guid":{"rendered":"http:\/\/novamuska.org\/?p=18745"},"modified":"2018-11-07T10:29:43","modified_gmt":"2018-11-07T09:29:43","slug":"arabrot-who-do-you-love-pelagic-records-2018","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=18745","title":{"rendered":"\u00c5rabrot &#8211; Who Do You Love (Pelagic Records, 2018)"},"content":{"rendered":"<p><a href=\"https:\/\/arabrot.bandcamp.com\/album\/who-do-you-love\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-18746 aligncenter\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-600x600.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-600x600.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-1024x1024.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-768x768.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot-110x110.jpg 110w, https:\/\/novamuska.org\/wp-content\/uploads\/2018\/11\/arabrot.jpg 1200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Pozor! \u0160e preden boste pritisnili na tipko \u00bbplay\u00ab poskrbite, da bo glasnost nastavljena do konca. Seveda na lastno odgovornost. \u010ce imate ob\u010dutljive ali te\u010dne sosede, si raje nataknite slu\u0161alke. In do daske. Z \u00c5rabrot ni \u0161ale. Poslu\u0161a se jih samo zelo naglas in tudi z osmim albumom ni ni\u010d druga\u010de.<\/p>\n<p>\u010ce \u0161e niste brali Lautr\u00e9amonta, potem je \u010das, da vzamete v roke njegove mra\u010dne, surrealisti\u010dne Maldororjeve speve in se \u017ee s prvim komadom Maldoror\u2019s Love podkovano spustite v pekel nove plo\u0161\u010de \u00c5rabrot, ki si je naslov sposodila pri <a href=\"https:\/\/www.youtube.com\/watch?v=8w9Eii9ZFsQ\" target=\"_blank\" rel=\"noopener\">Boju Diddleyu<\/a>, in tako dodala kaplje prepotrebnega optimizma v soo\u010denje z vra\u017ejimi silami.<\/p>\n<p><iframe loading=\"lazy\" title=\"\u00c5rabrot - Maldoror&#039;s Love (Official Video)\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/JwL8CwzDKSw?start=9&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Skupino <a href=\"http:\/\/www.arabrot.com\" target=\"_blank\" rel=\"noopener\">\u00c5rabrot<\/a> zadnja leta pooseblja <em>Kjetil Nernes<\/em>. Ko je leta 2013 <a href=\"https:\/\/arabrot.bandcamp.com\/album\/rabrot\" target=\"_blank\" rel=\"noopener\">s plo\u0161\u010do<\/a>, naslovljeno po imenu benda, oznanil, da je odslej mastermind skupine, se ni zavedal, da je s svojo peklensko-glasno muziko izzval smrt. Ko je premagal raka, je nastala pretresljiva plo\u0161\u010da <a href=\"https:\/\/arabrot.bandcamp.com\/album\/the-gospel\" target=\"_blank\" rel=\"noopener\">The Gospel<\/a> (2016), vzporedno pa tudi dokumentarec o zdravilni mo\u010di glasbe <em><a href=\"https:\/\/www.youtube.com\/watch?v=ovK-qbDZzYA\" target=\"_blank\" rel=\"noopener\">Cocks And Crosses<\/a><\/em>. Z njo je Kjetil Nernes za\u010del novo \u017eivljenje, novo \u017eivljenje \u00c5rabrot. Razsvetljenje, ki ga je do\u017eivel ob\/po soo\u010denju s smrtjo, mu je pre\u010distilo glavo in z njo tudi izraznost benda, ki se je od freneti\u010dnosti po\u0161teno obrnila k harmoni\u010dnosti. The Gospel je prelomen \u201cvsaj z dveh zornih kotov, kot ustvarjalni prese\u017eek in kot najbolj oseben album, pravzaprav samorefleksiven akt\u201d Nernesa, sem menil <a href=\"https:\/\/novamuska.org\/?p=14276\" target=\"_blank\" rel=\"noopener\">v oceni<\/a> pred dvema letoma. In \u010de je bila to jeklenobetonska liturgija, je Who Do You Love njeno nadaljevanje.<\/p>\n<p>Nadaljevanje v smislu, da bend gre naprej, da gradi in ustvarja mogo\u010dno muziko \u0161e naprej. \u0160e vedno imamo opravka z liturgi\u010dno linijo komadov, v katerih se soo\u010data zlo in dobro, mra\u010dno in svetlo, apokalipti\u010dnost in ve\u010dnost. Ob zelo pre\u010di\u0161\u010denih rifih, ki z voja\u0161ko disciplinirano ritmiko grmijo kot zadnji voja\u0161ki mar\u0161, je v liriko benda vstopila poudarjena \u010dustvenej\u0161a, intimnej\u0161a nota, ki nastopa kot popolno nasprotje besu. Lahko re\u010demo tudi \u017eenski pol, ki ga nosi Nernesova \u017eivljenjska sopotnica, pianistka in pevka <em>Karin Park<\/em>, ki v tema\u010dno metafiziko \u00c5rabrot prina\u0161a tudi svetlej\u0161e \u017earke. Njen solo nastop v <em>Pygmalion<\/em> dobi svojo drugo polovico v komadu <em>Sons And Daughters<\/em> na drugi strani plo\u0161\u010de, v njej partnerja nastopata kot mra\u010dna senca Chrisa and Carle. V primerjavi z melvinsovskim <em>Look Daggers<\/em> ali GNODovsko na\u0161pi\u010denim <em>Warning<\/em> se nam razprejo skrajnosti, v katere je bend poglablja in v katerih se Nernes ne izka\u017ee zgolj kot frontman, ampak tudi kot bard. V markantni predelavi stare spiritualisti\u010dne <em>Sinnerman<\/em>, ki jo je popularizirala <a href=\"https:\/\/www.youtube.com\/watch?v=1vDZsABHUbQ\" target=\"_blank\" rel=\"noopener\">Nina Simone<\/a>, nas voja\u0161ki ritem odpelje k Nicku Caveu iz \u010dasov Tupelo.<\/p>\n<p>Skozi Who Do You Love veje apokalipti\u010dno-militaristi\u010dni odmev Death In June, atmosfera Coil, zapeljivost Crime &amp; The City Solution, mani\u010dnost Davida Eugenea Edwardsa, discipliniranost Swans. Kjetil Nernes si je v marsi\u010dem podoben z Michealom Giro, tako avtorsko kot tudi v \u00bbizbir\u010dnosti\u00ab sodelavcev-glasbenikov. Ni mogel vsak igrati v Swans, tako je tudi v \u00c5rabrot. Na zadnji plo\u0161\u010di so ob ritem sekciji, ki jo tvorita basist GNOD <em>Alex Macarte<\/em> in bobnar <em>Joakim Johansen<\/em>, sodelovali \u0161e kitaristka <em>Dana Schechter<\/em> iz Insect Ark in Wrekmeister Harmonies Angels Of Light, \u00a0tolkalec <em>Ane Marthe S\u00f8rlien Holen<\/em>, pihalec <em>Kristoffer Lo<\/em>, v polminutnem <em>Serpents<\/em> pa so gostili <em>Andrewa Lilesa<\/em> iz Nurse With Wound and Current 93. Veliko so pripomogli k pre\u010di\u0161\u010denosti te grme\u010de glasbe, ki je bila posneta v \u201ccerkvi \u00c5rabrot\u201d sredi \u0161vedske vukojebine Djura z okoli 300 prebivalci, kjer sta si Nernes in soproga v nekdanji cerkvi uredila svoj dom in tudi studio. Slide kitara doliva odtenke tople americane v nordijski hlad, orgle so vez s spiritualnostjo, ki ima vedno ve\u010djo te\u017eo v izraznosti samega benda, pihala odmevajo kot slovo od neznanega vojaka\u2026 \u0160e naprej je to silovita godba mo\u010dnih, nikoli nerazvle\u010denih kitarskih rifov, ki se z dolgimi potegi zare\u017eejo v uho.<\/p>\n<p>Zdaj, ko ste poskrbeli za optimalno glasnost, vas samo \u0161e klik lo\u010di, da (p)ostanete vernik \u00c5rabrot, s katerimi \u2013 kot re\u010deno &#8211; ni \u0161ale. \u017divljenje te\u010de naprej.<\/p>\n<p><iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834729501\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/arabrot.bandcamp.com\/album\/who-do-you-love\">Who Do You Love by ARABROT<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ni \u0161ale, \u017eivljenje te\u010de naprej<\/p>\n","protected":false},"author":11,"featured_media":18746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-18745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/18745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18745"}],"version-history":[{"count":4,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/18745\/revisions"}],"predecessor-version":[{"id":18750,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/18745\/revisions\/18750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/18746"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}