{"id":22174,"date":"2020-10-08T00:03:57","date_gmt":"2020-10-07T22:03:57","guid":{"rendered":"http:\/\/novamuska.org\/?p=22174"},"modified":"2020-10-06T21:47:56","modified_gmt":"2020-10-06T19:47:56","slug":"lepo-je","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=22174","title":{"rendered":"Lepo je&#8230;"},"content":{"rendered":"\n<p class=\"has-text-align-center\" style=\"font-size:17px\"><strong>Razli\u010dni izvajalci<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:17px\"><strong>Lepo je\u2026v na\u0161i domovini biti mlad<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:15px\"><strong>ZKP RTV\/\u0160KUC, 1982<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/R-2334597-1485602015-7826.jpeg.jpg\" alt=\"\" class=\"wp-image-22175\" width=\"428\" height=\"427\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/R-2334597-1485602015-7826.jpeg.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/R-2334597-1485602015-7826.jpeg-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/R-2334597-1485602015-7826.jpeg-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/R-2334597-1485602015-7826.jpeg-110x110.jpg 110w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>Zapojmo pesem si veselo,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>naj se razlega prek sveta:<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>lepo je v na\u0161i domovini biti mlad.<\/em><\/p>\n\n\n\n<p>\u00bbMoj album\u00ab\u2026po katerem vatlu po ve\u010d kot pol stoletja? Prvi, ki sem ga kupil? Blood Sweat &amp; Tears v italijanski Gorici. &nbsp;Prvi, ki sem ga poslu\u0161al skupaj s prijatelji \u2013 <em>Umma Gumma<\/em> Pink Floydov. Lahko tudi Chicago Transit Authority, pa angle\u0161ki Collosseum, oboji z rock pihali, tako da me X-Ray Specs niso \u0161okirali. Ali pa Cream \u2013 <em>Heavy Blues<\/em> kot \u00bbuvod\u00ab v Johna Mayalla.<\/p>\n\n\n\n<p>Potem je bilo s poslu\u0161anjem albumov <em>qua <\/em>albumov konec. Ni bilo \u010dasa, sploh ne za simfo-rock, le singli glam-rocka, T-Rex, Sweet, Slade, Suzie Quatro, in lestvica <em>Billboard Top 100<\/em> na R\u0160 s trakov radia <em>Voice of America<\/em>, \u00bbcourtesy of\u00ab Ameri\u0161ki kulturni center. Pank je nato utrdil vrnitev malih vinilov.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Ponesi pesem \u0161e v daljavo,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>vsem dragim na\u0161im lep pozdrav.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Lepo je\u2026<\/em><\/p>\n\n\n\n<p>Zato bo merilo za \u00bbmoj\u00ab \u2013 moj dele\u017e v nastajanju albuma, poro\u010dilo o tem pa karseda stvarno, nesubjektivno. O nostalgiji je vse povedal Damir Avdi\u0107 v pesmi <em>Bratstvo i jedinstvo<\/em>, Rachel Weisz pa je v vlogi literarne urednice v prvem delu britanske politi\u010dno-kriminalne TV serije <em>Worricker Trilogy<\/em> rekla: \u00bbZdi se, da pisci ne razumejo, da so \u010dustva zanimiva, a je zanimiv tudi svet.\u00ab Svet, ki izginja v megli virtualnega narcizma. Nastajanje druge pank kompilacije <em>Lepo je\u2026(v na\u0161i domovini biti mlad)<\/em> je bilo leta 1981 velik del mojega sveta.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>V de\u017eeli, kjer so vsi ljudje kot brat in brat,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>in toplo sonce, ki nas greje,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>in morje, ki po\u017eivlja kri \u2013<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>lepo je v na\u0161i domovini biti mlad.<\/em><\/p>\n\n\n\n<p>Bilo je leto prvega Novega rocka, drugega albuma Pankrtov <em>Dr\u017eavni ljubimci<\/em> in njihovega prvega koncerta v dvorani Tivoli. In kmalu po NR in pred izidom <em>Lepo je\u2026<\/em> &#8211; &nbsp;prva naci-pank afera in posledice.<\/p>\n\n\n\n<p>Na ovitku pi\u0161e: \u00bb\u010cas snemanja: od 17.julija do 22. septembra 1981. Za zalo\u017ebo: Du\u0161an Velkavrh, glavni urednik: Jure Robe\u017enik (op.: pogumno?). Fotografija smeti: Zvone Dru\u0161kovi\u010d; bendi: Janez Bogataj. Ilustracija: Kostja Gatnik iz knjige \u00bbMagna Purga\u00ab\u2026 \u0160KUC 1977 Ideja oVItka\u2026oblikovanje: Ediscroato \u2013 Edi \u0160tefan\u010di\u010d, oblikovalec ovitka prvega albuma Pankrtov.\u00ab<\/p>\n\n\n\n<p>Prva stran ovitka prilo\u017eena; spodaj levo je \u00bbavstro-ogrska\u00ab \u0161tampiljka komisije za \u0161und (5% davek). Druga stran: imena in \u010dlanstva bendov, kontaktni naslovi in nekaj besedil na pink podlagi, s kon\u010dnim soc-malome\u0161\u010danskim prizorom stripa <em>Srce, ki ljubi<\/em> iz <em>Magne Purge<\/em>, vmes pa \u0161e besedilo pesmi <em>Lepo je v na\u0161i domovini biti mlad<\/em>. Album se za\u010dne in kon\u010da z njenim refrenom, odigral ga je kitarist Kuzel \u2013 kot Hendrix ameri\u0161ko himno&#8230;<\/p>\n\n\n\n<p><em>Boj za navade,<\/em><\/p>\n\n\n\n<p><em>Za podkupljene \u010delade,<\/em><\/p>\n\n\n\n<p><em>Sladko slavo pod zastavo,<\/em><\/p>\n\n\n\n<p><em>Za navado, prazno glavo,<\/em><\/p>\n\n\n\n<p><em>Za misli v vrsti mirno,<\/em><\/p>\n\n\n\n<p><em>Za re\u0161etke na peresu,<\/em><\/p>\n\n\n\n<p><em>Za svobodo v Jassa dresu,<\/em><\/p>\n\n\n\n<p><em>Za navado, prazno glavo<\/em>.<\/p>\n\n\n\n<p>(Lublanski psi: Kaste za navade)<\/p>\n\n\n\n<p>Vsi bendi na kompilaciji so nastopili na prvem Novem rocku (NR), za razliko od kasnej\u0161ih NR niso dobili snemanja v pravih studiih \u2013 studiu Bevc ali Metroju. Zato so posnetki nastali v studiu Radia \u0160tudent, na 8-kanalnem magnetofonu Teac TASCAM, snemalec Jurij Toni, \u00bborganizacija, produkcija etc.: I.V.\u00ab ; tonski mojster (R\u0160) Jurij Toni in koproducent \u00bbAktidioto (?!?)\u00ab.<\/p>\n\n\n\n<p>Energija na snemanju je bila dobra, kljub skromnim tehni\u010dnim pogojem in omejeni koli\u010dini pija\u010de. Najbolj uigrani so bili ne-ljubljanski bendi \u2013 posebej Indust-Bag in Kuzle.<\/p>\n\n\n\n<p><em>Sto decibelov me zadavi,<\/em><\/p>\n\n\n\n<p><em>In postavi spet na noge.<\/em><\/p>\n\n\n\n<p><em>Postavi me na rob \u017eivljenja,<\/em><\/p>\n\n\n\n<p><em>No\u010d je moja, ni svetlobe.&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p>(Indust-bag: 100 dB)<\/p>\n\n\n\n<p>Nekatera besedila kot da so napovedovala depresijo na pankovski sceni, ki je nastopila z naci-pank afero.<\/p>\n\n\n\n<p><em>Nimam mo\u010di, da imel bi svoj jaz,<\/em><\/p>\n\n\n\n<p><em>Mo\u017egane imam v uniformi,<\/em><\/p>\n\n\n\n<p><em>Nimam mo\u010di, da vam pljunem v obraz,<\/em><\/p>\n\n\n\n<p><em>A nikdar ne bom kle\u010dal pred vami.<\/em><\/p>\n\n\n\n<p>(Buldogi: V kotu sveta)<\/p>\n\n\n\n<p><em>Lepo je\u2026<\/em> je iz\u0161el spomladi 1982, ob mla\u010dnih odzivih medijev. Temeljita recenzija je iz\u0161la v zagreb\u0161kem tedniku <em>Danas<\/em>: \u00bbPlo\u010da pru\u017ea mnogo parola\u0161enja i mnogo staromodne muzike, ali zato i zavidnu iskrenost i strast.\u00ab. In bodica pank ideologom: \u00bbKoliko je muzika\u2026daleko od dogmatskog hara\u010denja njihovih lokalnih zagovornika, svjedo\u010de tekstovi poput skladbe <em>Vahid<\/em> grupe Kuzle koji jasno i nedvosmisleno otkriva i osudjuje \u0161ovinizam\u2026Nevjerojatno, ali je to zaista prva pjesma o nacionalizmu i \u0161ovinizmu u jugoslavenskom rocku!\u00ab Podpis: \u00bbV.F.\u00ab, nekdanji Poletovec Vlatko Fras.<\/p>\n\n\n\n<p><em>Dajte mi \u017ee mir s temi va\u0161imi la\u017emi,<\/em><\/p>\n\n\n\n<p><em>do grla sem jih sit, teh va\u0161ih la\u017ei,<\/em><\/p>\n\n\n\n<p><em>In ne mi pravit, da je vse v redu,<\/em><\/p>\n\n\n\n<p><em>dokler me njen stari podi od doma<\/em><\/p>\n\n\n\n<p><em>samo zato, ker nisem tak, kot je on.<\/em><\/p>\n\n\n\n<p>(Kuzle: Vahid)<\/p>\n\n\n\n<p><em>Lepo je\u2026<\/em> je bil dolgo \u010dasa edini diskografski dokument teh bendov, kajti po izbruhu naci-pank afere je npr. pevec Lublanskih psov pristal v preiskovalnem zaporu in nato v JLA, kamor so morali \u0161e nekateri z albuma, tako da s samostojnimi albumi \u0161e dolgo ni bilo ni\u010d. Kuzle so ga dobile \u0161ele nedavno, v retro izdaji \u0161vedske zalo\u017ebe NE. Bil je prodajna uspe\u0161nica, relativna, a dovolj, da je nastala \u0161e tretja, \u00bbpost-pankovska\u00ab kompilacija <em>84\/48<\/em> z Borghesio, O! kult, Otroci socializma, Vio Ofenzivo\u2026<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Kjer hrabri so ljudje in rod je zdrav, krepak.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Ves svet pozna nas po juna\u0161tvu,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>mladini cvete zdaj pomlad,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>lepo je v na\u0161i domovini biti mlad.<\/em><\/p>\n\n\n\n<p>P.s. Na monitorju vidim \u2013 kmalu bo ura sedem. Petek je, \u010das za \u00bbmoj protest\u00ab. Na Pre\u0161ernovem trgu neznana gospa pod masko zaskrbljeno vpra\u0161a: \u00bbKam gremo? Vedno manj nas je\u00ab. Dr\u017ei. Z Draganom \u017d. \u2013 ne \u0161e pod masko \u2013 vidiva: covid deluje, strah je dejavnik. Kasneje mojster Stevo s Trubarjeve meni, da gre morda tudi za preveliko \u0161tevilo protestov, za protestno utrujenost. V glavi zazveni <em>No Escape<\/em>,&nbsp; Cabaret Voltaire (Mix-Up, 1979); tudi besede Rosamund Pike v filmu <em>Entebbe<\/em>. Koncertov po starem ne bo \u0161e najmanj leto\u2026<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kuzle - Vahid (+besedilo)\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/FkHY7WR1j90?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>CEL ALBUM NA <a href=\"http:\/\/hikonline.blogspot.com\/2011\/05\/lepo-jepunk-kompilacija-1982.html\" target=\"_blank\" rel=\"noreferrer noopener\">HIK ONLINE<\/a><\/strong><\/p>\n\n\n\n<p><em>Igor Vidmar, ex-pank ideolog, ex-\u00bbpunk&#8217;n&#8217;roll aparat\u010dik\u00ab( zalo\u017eba, koncerti, R\u0160\u2026), kolumnist Studia City.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/Vidmar-2018-934x1024.jpg\" alt=\"\" class=\"wp-image-22176\" width=\"340\" height=\"372\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/Vidmar-2018-934x1024.jpg 934w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/Vidmar-2018-548x600.jpg 548w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/Vidmar-2018-768x842.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2020\/10\/Vidmar-2018.jpg 1211w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Moj album 94 \/ Igor Vidmar<\/p>\n","protected":false},"author":88999,"featured_media":22175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[143],"tags":[],"class_list":["post-22174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-moj-album"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/22174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/88999"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22174"}],"version-history":[{"count":5,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/22174\/revisions"}],"predecessor-version":[{"id":22182,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/22174\/revisions\/22182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/22175"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}