{"id":23095,"date":"2021-11-14T12:37:37","date_gmt":"2021-11-14T11:37:37","guid":{"rendered":"https:\/\/novamuska.org\/?p=23095"},"modified":"2021-11-14T18:30:29","modified_gmt":"2021-11-14T17:30:29","slug":"gnod-la-mort-du-sens","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=23095","title":{"rendered":"GNOD \u2013 La Mort Du Sens"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-1024x1024.jpg\" alt=\"\" class=\"wp-image-23096\" width=\"483\" height=\"483\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-1024x1024.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-600x600.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-768x768.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod-110x110.jpg 110w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/11\/gnod.jpg 1200w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Leta 2017 so GNOD jasno na ves glas razglasili: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/gnod.bandcamp.com\/album\/just-say-no-to-the-psycho-right-wing-capitalist-fascist-industrial-death-machine\" target=\"_blank\">JUST SAY NO TO THE PSYCHO RIGHT\u200b-\u200bWING CAPITALIST FASCIST INDUSTRIAL DEATH MACHINE<\/a><\/em>. Minila so \u0161tiri leta, vmes se je kapitalisti\u010dni fa\u0161izem \u0161e bolj razmahnil, a GNOD se niso dali. Glasbeni kolektiv rotirajo\u010dih se \u010dlanov je ostal brezkompromisno proaktiven in po albumu <em><a rel=\"noreferrer noopener\" href=\"https:\/\/gnod.bandcamp.com\/album\/chapel-perilous\" target=\"_blank\">Chapel Perilous<\/a><\/em> (2018) je redno zalagal <a href=\"https:\/\/gnod.bandcamp.com\/music\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a> z novimi (in) starimi deli. Zdaj, ko \u0161e slepec sprevidi, da so vse parole in reklame zavajajo\u010de in brez pomena, so udarili z <em><a href=\"https:\/\/gnod.bandcamp.com\/album\/la-mort-du-sens\" target=\"_blank\" rel=\"noreferrer noopener\">La Mort Du Sens<\/a><\/em>. Naravnost sredi \u010dela pribije te\u017eka glasba za te\u017eke \u010dase. Smrt smisla! Te\u017eko bi se na\u0161el bolj\u0161i oris trenutnega stanja duha na lokalni in globalni ravni, ko tudi gluh sli\u0161i, da gre vse k vragu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pet komadov, pol ure torture. Pol ure kovinskega headbanganja, te\u017ea\u0161kih ritmov, dolgih in ostrih rezov, kaoti\u010dnih in divjih zapletov. Dve bobnarski bateriji sta motor tega pobezljanega <em>killdozerja<\/em>, podmazanega s hre\u0161\u010de\u010dim basom, prebodenega s kitarskimi eskapadami in drugimi glasbenimi oro\u017eji, naj si bo saksofon ali sintetizator. Vale\u010da se naelektrena gmota se iskri, bruha in na poti z glavo skozi zid melje in drobi vse pred sabo. Tokrat so se GNOD lotili zadeve direktno, se nabasali v svoj vadbeni prostor v Salfordu in v lastni re\u017eiji ustvarili (\u0161e en) silovit album. Na krilih bobnarskega tandema, ki neomajano diktira obrate in trdno pribija podlago, izbruhne eksplozivna me\u0161anica ekspresivnosti, aktivizma in nihilizma.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GNOD \u2013 Pink Champagne Blues\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/aijurPqQXf4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">V uvodnem <em>Regimental <\/em>prere\u0161etajo s kitarskimi mitraljezi newyor\u0161kih Helmet in freneti\u010dnim strunanjem nizozemskih The EX. Singel plo\u0161\u010de <em>Pink Champagne Blues <\/em>z videom skaterskih mojstrovin in padcev spomni na newyor\u0161ke orjake Unsane in njihov nekorektni video za <em><a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/2dy7Cg36qfY\" target=\"_blank\">Scrape<\/a><\/em>, se pa po uvodnem \u0161kripanju lotijo kitarskih rifov bolj v maniri Hammerhead, v to pa posegajo z nabrito in nasr\u0161eno dikcijo IDLES, da bi vse skupaj kon\u010dalo s trkom v \u017eelezobetonski zid. Sledita te\u017ea\u0161ka <em>The Whip and the Tongue<\/em> in <em>Town<\/em>, kjer se rezkost kitar prepleta z zvo\u010dnimi industrijskimi kulisami, da ve\u010dplastnost skomina po The Swans, Head Of David, zgodnjih Cop Shoot Cop, Crawlpappy, God Bullies, Cows, ZU, Melvins, Of Cabbages and Kings, Karp, Laughing Hyenas. Razpihani saksofon v <em>The Whip and the Tongue<\/em> je osve\u017eujo\u010d, vendar prav\u0161no kratek, da ne prevzame osrednjega mesta dratarski napetosti in militaristi\u010dnemu mar\u0161u, ki zdrobi vsakr\u0161no upanje tudi v zaklju\u010dni meditativni dvanajstminutni noiserockovski nabija\u010dini kladiva in nakovala <em>Giro Day<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GNOD so se na zadnji plo\u0161\u010di oklenili kitar in ustvarili svojevrsten hommage noise rocku iz osemdesetih v devetdeseta leta, \u010deprav dvomim, da je bila plo\u0161\u010da ustvarjena s tak\u0161nim namenom. Katarzi\u010dne izlive nakopi\u010dene tenzije bi z lahkoto prisodili koritu Touch &amp; Go ali AmRepa, nosi jih aktualni potencial razkroja smisla in ko nastopi konec plo\u0161\u010de, ima samo \u0161e ti\u0161ina smisel.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 621px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=984943695\/size=large\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/gnod.bandcamp.com\/album\/la-mort-du-sens\">La Mort Du Sens by Gnod<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Rocket Recordings, 2021<\/p>\n","protected":false},"author":11,"featured_media":23096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-23095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23095"}],"version-history":[{"count":13,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23095\/revisions"}],"predecessor-version":[{"id":23114,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23095\/revisions\/23114"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/23096"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}