{"id":23133,"date":"2021-12-03T08:15:23","date_gmt":"2021-12-03T07:15:23","guid":{"rendered":"https:\/\/novamuska.org\/?p=23133"},"modified":"2021-12-03T08:15:25","modified_gmt":"2021-12-03T07:15:25","slug":"shortparis-%d1%8f%d0%b1%d0%bb%d0%be%d0%bd%d0%bd%d1%8b%d0%b9-%d1%81%d0%b0%d0%b4","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=23133","title":{"rendered":"Shortparis &#8211; \u042f\u0431\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0430\u0434"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2021\/12\/sad.jpg\" alt=\"\" class=\"wp-image-23134\" width=\"434\" height=\"434\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2021\/12\/sad.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/12\/sad-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/12\/sad-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2021\/12\/sad-110x110.jpg 110w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Angle\u017ei imajo Pop Group, Depeche Mode in Portishead; Ameri\u010dani imajo Suicide in Laurie Anderson, Kanad\u010dani Skinny Puppy, Avstralci S.P.K., Nemci Kraftwerk, Deutsch Amerikanische Freundschaft (DAF) in Atari Teenage Riot, Irci Virgin Prunes, Makedonci Mizar, \u0160vicarji Young Gods, Slovenci Laibach, Borghesio in Silence \u2026. , Rusi pa imajo po Sergeju Kurjohinu <strong><em><a href=\"https:\/\/www.facebook.com\/sh0rtparis\" target=\"_blank\" rel=\"noreferrer noopener\">Shortparis<\/a><\/em><\/strong>, ki z na\u0161tetimi delijo marsikaj in so posebni, izstopajo\u010di, druga\u010dni, samosvoji, svojeglavi, prepoznavni, samonikli in izvirni kot njihovi sodobniki Liars, Death Grips, Goribor, Iceage, Daughters, Damir Avdi\u0107, Algiers, Girl Band, These New Puritans, Seine.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shortparis \u2013 \u0414\u0432\u0430\u0434\u0446\u0430\u0442\u044c\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/wi7SRWuL4m4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Glasbeno-umetni\u0161ki kolektiv iz Peterburga Shortparis je (bil) odkritje Menta 2018. Leto in pol kasneje se je v okviru evropske turneje spet ustavil v Ljubljani in po koncertu v Kinu \u0160i\u0161ka naslednji ve\u010der pretresel in za\u010daral tudi zagreb\u0161ko Mo\u010dvaro. Shortparis je celostna umetnina. Ob glasbeni govorici ima izpiljeno pojavnost; skrbi za koreografijo, za vizualno podobo, za poezijo, za videospote, za imid\u017e, za produkcijo komadov in albumov. \u010ceprav deluje hladno, vzvi\u0161eno in arogantno, v notranjosti vre in \u017eari, na dan bruha privr\u017eenost umetnosti, predvsem avantgardnim strujam. Recimo, v spot za skladbo \u0413\u043e\u0432\u043e\u0440\u0438\u0442 \u041c\u043e\u0441\u043a\u0432\u0430 z novega albuma vstopimo s citatom Andrea Bretona o surrealisti\u010dnem aktu.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shortparis - \u0413\u043e\u0432\u043e\u0440\u0438\u0442 \u041c\u043e\u0441\u043a\u0432\u0430\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/_d1AmMt6A9s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Naslovnica \u010detrtega albuma <strong><em>\u042f\u0431\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0430\u0434<\/em><\/strong> (v prevodu: Jabol\u010dni sadovnjak) je nastala z moskovskim umetnikom <a rel=\"noreferrer noopener\" href=\"https:\/\/klepnev.com\" target=\"_blank\">Igorjem Klepnevom<\/a> in se referira na Vere\u0161aginovo mojstrovino-srhljivko <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Apotheosis_of_War\" target=\"_blank\">Apoteoza vojne<\/a> iz druge polovice 19. stoletja. Na novi plo\u0161\u010di z enajstimi komadi, ki so prepojeni z rusko simboliko, od carskih \u010dasov prek Sovjetske zveze do dana\u0161njega kri\u017eanca, najdemo tudi uglasbitev pesmi Osipa Mandel\u0161tama <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=nI8P6AqUFis\" target=\"_blank\">\u042d\u0442\u0430 \u043d\u043e\u0447\u044c \u043d\u0435\u043f\u043e\u043f\u0440\u0430\u0432\u0438\u043c\u0430<\/a><\/em>, s katero so bili Shortparis uvr\u0161\u010deni na kompilacijo<em> <a rel=\"noreferrer noopener\" href=\"https:\/\/shor.by\/om130\" target=\"_blank\">\u00ab\u0421\u043e\u0445\u0440\u0430\u043d\u0438 \u043c\u043e\u044e \u0440\u0435\u0447\u044c \u043d\u0430\u0432\u0441\u0435\u0433\u0434\u0430\u00bb<\/a><\/em>, ki je iz\u0161la letos ob 130. letnici rojstva pesnika. Shortparis se nenehno navezujejo na rusko dedi\u0161\u010dino in njeno bogato zgodovino ter jo reaktualizirajo in soo\u010dajo z Rusijo danes. Reflektirajo in secirajo njeno dvojnost in bipolarnost,\u00a0 njeno razklanost, delitve na bogate in revne, na manj\u0161ino in ve\u010dino, na bli\u0161\u010d in bedo. Lotevajo se je z veliko mero estetske dovr\u0161enosti in bojevite pokon\u010dnosti. Besedila so polna metaforike in aluzij, ki pletejo mre\u017eo absurdov in trkov domoljubja in (ne)konformizma, voja\u0161ke discipline in anarhisti\u010dnega bunta, malikovanja kulta osebnosti in potro\u0161ni\u0161tva. Shortparis hodijo po zelo tankem robu, njihova enigmati\u010dnost in provokativnost spro\u017eata pomisleke, dvoumnost in osuplost, vzbujata srh in tudi obto\u017ebe in napade. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shortparis \u2013 \u041a\u043e\u041a\u043e\u041a\u043e \/ C\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u044b \u043d\u0435 \u0432\u044b\u0445\u043e\u0434\u044f\u0442 \u043d\u0430 \u0443\u043b\u0438\u0446\u044b\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/cEpo3zrDXMY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Z navitimi knofi, nevarnimi beati, moduliranimi zvo\u010dnimi kulisami se znajdemo v zoni somraka. Pred o\u010dmi se nam svita in temni, bliska in bobni. <strong><em>\u042f\u0431\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0430\u0434<\/em><\/strong> tvorno nadaljuje potovanje v smeri, ki so jo Shortparis za\u010drtali in osmislili na predhodnjih dveh, <em><a href=\"https:\/\/www.discogs.com\/master\/1527519-Shortparis-%D0%9F%D0%B0%D1%81%D1%85%D0%B0\">\u041f\u0430\u0441\u0445\u0430<\/a><\/em> (2017) in <a href=\"https:\/\/www.discogs.com\/release\/14367858-Shortparis-%D0%A2%D0%B0%D0%BA-%D0%97%D0%B0%D0%BA%D0%B0%D0%BB%D1%8F%D0%BB%D0%B0%D1%81%D1%8C-%D0%A1%D1%82%D0%B0%D0%BB%D1%8C\"><em>\u0422\u0430\u043a \u0417\u0430\u043a\u0430\u043b\u044f\u043b\u0430\u0441\u044c \u0421\u0442\u0430\u043b\u044c<\/em><\/a> (2019), kar pomeni tudi, da Shortparis ostajajo izmuzljivi in vznemirljivi. Surovi in bla\u017eeni, napadalni in seksipilni. Poudarjen elektro-naboj plo\u0161\u010de sledi karizmati\u010dnemu frontmanu, ki nas svojimi vokalnimi eskpadami, patosom in vragolijami premetava iz opere v beznico, iz beznice na voja\u0161ko parado, z voja\u0161ke parade v kabaret, iz kabareta v cerkev, iz cerkve na rave, z ravea na pogreb,\u00a0 s pogreba na trojko, ki pelje na kaza\u010dok \u2026. Cel ruski teater se odvija pred o\u010dmi in u\u0161esi. Plo\u0161\u010da je polna kontrastov, naglih preskokov, melodramati\u010dnih zapletov, vratolomnih obratov, orkanskih izbruhov, histeri\u010dnih izpadov. Ves ta konglomerat stvarnosti, asociacij, sanj in halucinacij pumpa plesni tempo, ki se brezhibno ujame z ljudskimi napevi, electric body navijanjem, \u0161ansonjerskimi izlivi, teatralnimi recitali. Presene\u010denja, spontanost, grobost, neposrednost, kaos, disciplina, upor, molitev, zvestoba\u2026. \u2013 vse v enem. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pozor, Shortparis so nalezljivi in z lahkoto obsedejo, sploh \u010de se spustimo globlje v njihovo celostno umetnino.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: \u042f\u0431\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0430\u0434\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5w2xL98kJloKFj7rnhTWAP?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Universal Music Russia, 2021<\/p>\n","protected":false},"author":11,"featured_media":23134,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-23133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23133"}],"version-history":[{"count":4,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23133\/revisions"}],"predecessor-version":[{"id":23138,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/23133\/revisions\/23138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/23134"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}