{"id":32407,"date":"2026-06-18T00:18:00","date_gmt":"2026-06-17T22:18:00","guid":{"rendered":"https:\/\/novamuska.org\/?p=32407"},"modified":"2026-06-16T20:19:36","modified_gmt":"2026-06-16T18:19:36","slug":"blues-za-komendo","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=32407","title":{"rendered":"Blues za Komendo"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"467\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260327_181542.jpg\" alt=\"\" class=\"wp-image-32408\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260327_181542.jpg 1000w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260327_181542-600x280.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260327_181542-768x359.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Tema\u010dni oblaki nad Komendo, foto: Vladimir Trop<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sreda, 10. junij 2026, malo pred deveto zve\u010der &#8211; mo\u010dno neurje s to\u010do in orkanskim vetrom je v nekaj minutah \u0161tevilnim sokrajanom v Komendi in bli\u017enjih va\u0161kih naseljih uni\u010dilo stanovanjske hi\u0161e, gospodarska poslopja, kmetijske povr\u0161ine in pridelke, \u017eivino, prevozna sredstva in obdelovalne stroje. Vremenska ujma se je v zadnjih petnajstih letih tukaj tretji\u010d kruto znesla nad ljudmi in naravo, ko \u0161e niso niti povsem odpravljene posledice katastrofalnih poplav izpred treh let.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"478\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20250822_192915-1024x478.jpg\" alt=\"\" class=\"wp-image-32409\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20250822_192915-1024x478.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20250822_192915-600x280.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20250822_192915-768x358.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20250822_192915.jpg 1333w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Zgoraj nad dimnikom je grozljivo \u010drno, foto: Vladimir Trop<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zakaj? Kljub napredku znanosti in ne glede na materialno blaginjo, je \u010dlovek ob takih dogodkih soo\u010den s svojo majhnostjo in nemo\u010djo proti silovitosti nepredvidljive narave. In tako je povsod po svetu \u2013 od nekdaj. V spomin se mi prikrade nekaj skladb bluesa, ki govorijo o naravnih katastrofah. Poplave, su\u0161e, po\u017eari, neurja niso ravno za\u017eelen navdih, so pa tema za umetni\u0161ko izpoved in skozi njih dokument \u010dasa, ne zgolj medijska novica, ki jo \u00bbnovinarji\u00ab glede na obse\u017enost nesre\u010dnega dogodka ohranjajo v ospredju do prvega naslednjega atraktivnega dogodka. A \u010dlove\u0161tvo kot skupnost ne naredi dovolj za to, da ne bi samo pospe\u0161evalo (nastanka) teh uni\u010dujo\u010dih pojavov. V svoji prevzetni domi\u0161ljavosti se namre\u010d obna\u0161amo kot popolnoma neodgovorni nevedne\u017ei za usodo planeta ter smo slepi in gluhi za tegobe drugih, dokler se ne pripetijo nam samim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"765\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-1024x765.jpg\" alt=\"\" class=\"wp-image-32410\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-1024x765.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-600x448.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-768x573.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-1536x1147.jpg 1536w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100420-2048x1529.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"492\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-1024x492.jpg\" alt=\"\" class=\"wp-image-32411\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-1024x492.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-600x289.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-768x369.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-1536x739.jpg 1536w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100446-2048x985.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"BARBECUE BOB - Mississippi Heavy Water Blues [1927]\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/_OK-TCQ0MCY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Silovita mo\u010d narave uni\u010di tudi najmodernej\u0161e konstrukcije, ne samo ubornih starih ko\u010d. Lastniki obojih izgubijo streho nad glavo, a nekateri se ne bodo mogli nikoli ve\u010d postaviti na noge in priti do nove. Pri\u010dakovanja in \u017eelje ter uteha ob takih najhuj\u0161ih preizku\u0161njah so razli\u010dne, pa \u010de poplavijo hudourni\u0161ki potoki in reke izpod na\u0161ih planin ali mogo\u010dni Mississippi v Ameriki.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V eni prej\u0161njih kolumen sem \u00a0napisal, da so najstarej\u0161i posnetki bluesa nastali pred sto leti. Eden tak\u0161nih govori prav o uni\u010dujo\u010di poplavi in ima naslov <a href=\"https:\/\/youtu.be\/_OK-TCQ0MCY?si=RDohpe7kEALmn0-n\">Mississippi Heavy Water Blues<\/a>. Skladbo je leta 1927 posnel kitarist <em>Barbecue Bob<\/em>. Poleg izvirnika poznamo \u0161e nekaj izvedb drugih izvajalcev, med katerimi izstopa interpretacija dua <em><u>Roberta Peta Williamsa<\/u> in Roberta \u00bbGuitar\u00ab Welcha<\/em> s plo\u0161\u010de <em><u><a href=\"https:\/\/youtu.be\/kk25dHnSyAU?si=1j_40sy-I0Fl4jBz\">Country Negro Jam Session<\/a><\/u><\/em>, ki sta jo kitarista posnela tri desetletja pozneje. Za marsikoga bo novo ime tudi <em>Roscoe Holcomb<\/em>, ki prav tako interpretira to skladbo na kompilaciji <em><a href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_kIH7PIKgZ1CAKKZ8NTQ1IhJlwW4BP3Fjg&amp;si=w3OsTKrtG7UOO6-o\">An Untamed Sense Of Control<\/a><\/em>. Banjo in kitara v rokah (belopoltega) glasbenika iz Apala\u0161kega pogorja predstavita zanimiv del\u010dek iz sestavljanke ameri\u0161ke glasbe, ki spomni na <em>Alana Lomaxa<\/em> in njegovo serijo odli\u010dnih dokumentarcev <em>American Patchwork<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mississippi Heavy Water Blues\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/kk25dHnSyAU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Barbecue Bob<\/em> je pravzaprav Robert Hicks, brat kitarista <em>Charlieja Hicksa<\/em>, ki ga poznamo tudi kot <em>Charlieja Lincolna<\/em> in pod vzdevkom <em>Laughlin&#8217; Charlie<\/em>. Oba sta bila iz Georgie in sta tipi\u010dna predstavnika Atlanta bluesa iz najzgodnej\u0161ega obdobja te glasbene zvrsti. Barbecue Bob je bil konec dvajsetih let najbolje prodajan bluesman zalo\u017ebe <em>Columbia<\/em>. \u010ceprav odli\u010den <em>bottleneck<\/em> kitarist je ostal \u0161ir\u0161i blues javnosti relativno neznan, ko so v 1960 letih za\u010deli slaviti le Charleya Pattona in Roberta Johnsona. Naravne nesre\u010de s tragi\u010dnimi posledicami pustijo dolgotrajne brazde in bole\u010dino v ljudeh in ostanejo sopotnik vsakdanjemu \u017eivljenju skupnosti \u0161e dolgo \u010dasa. Tudi Barbecue Bob se je \u0161e vrnil k tej bole\u010di temi, ko je posnel skladbo <em><a href=\"https:\/\/youtu.be\/ql4bBCmOhbc?si=Zn2bot2nQ9qMm4qH\">Mississippi Low-Levee Blues<\/a><\/em>. Obe najdete na odli\u010dni plo\u0161\u010di <em><a href=\"https:\/\/www.discogs.com\/fr\/release\/11455338-Barbecue-Bob-Brown-Skin-Gal?srsltid=AfmBOooFHoEwVEn4YAC2nkLIakIl6Rvtw1BVLLkspUNHHTQTMwd6u1jA\">Brown-Skin Gal<\/a><\/em> zalo\u017ebe <em>Agram<\/em>. V li\u010dni \u0161katli vinilne izdaje je prilo\u017eena 80-stranska knji\u017eica z biografskimi in drugimi podatki o njem in bratu ter lokalni blues sceni v Atlanti. Priporo\u010dam, da mu prisluhnete in morda vas bo navdu\u0161il tako kot mene.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"515\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-1024x515.jpg\" alt=\"\" class=\"wp-image-32413\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-1024x515.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-600x302.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-768x386.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-1536x772.jpg 1536w, https:\/\/novamuska.org\/wp-content\/uploads\/2026\/06\/20260614_100919-2048x1029.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poplave z ru\u0161ilno mo\u010djo in pogoltni zublji neubranljivih po\u017earov so tesno povezani z bole\u010do&nbsp; krajevno zgodovino manj\u0161ih mest Natchez in Tupelo. V slednjem je leta 1935 privekal na svet kralj rock &#8216;n&#8217; rolla Elvis Presley, a to ni tema skladbe z naslovom <em>Tupelo Blues<\/em>, ki jo je pogosto izvajal <em><a href=\"https:\/\/youtu.be\/6yyWvUTsBsE?si=OwAWQMv9WCSpa9zw\">John Lee Hooker<\/a><\/em>. Ta se je pogosto odzival na najrazli\u010dnej\u0161e dogodke in je znal ustvariti pesem takoreko\u010d iz vsega in o vsem. Tudi iz po\u017eara v kraju Natchez, o katerem \u00bbpoje\u00ab (pravzaprav govori, zato imenujemo tak blues <em>\u00bbtalking blues\u00ab<\/em>) v skladbi <em><a href=\"https:\/\/youtu.be\/f_hbfK2KWKM?si=JYU6U1fGrnNXc36d\">The Great Fire Of Natchez, Mississippi<\/a><\/em>. Ognjena tragedija v Natchezu iz leta 1940 pa je tema skladbe <em><a href=\"https:\/\/youtu.be\/byDo89PdXGk?si=0Oc2YTfTrwEFr3en\">The Natchez Burning<\/a><\/em> v izvedbi <em>Howlin&#8217; Wolfa<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Lee Hooker - Great Fire Of Natchez (Live at Newport, 1963) (Official Audio)\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/f_hbfK2KWKM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ob poslu\u0161anju teh pretresljivih, dramati\u010dno izra\u017eenih glasbenih zgodb o razdejanju po uni\u010dujo\u010dih poplavah ameri\u0161kega veletoka in \u017ertvah po\u017earov v oddaljenih krajih zagleda\u0161 pred sabo sliko trpljenja in ob\u010duti\u0161 prizadetost in empatijo z \u017ertvami. A to vendarle ni enako ob\u010dutku neposredne groze in strahu, s katerim se soo\u010di\u0161 ob vdiranju umazane vode v tvojo hi\u0161o (kolibo ali dvorec), ko po stre\u0161nikih bobna za jajce debela to\u010da preden sunek vetra dokon\u010dno razgali tisto, kar je \u0161e trenutek prej zakrivala streha, ki jo je z ostre\u0161jem vred odtrgalo in odneslo k sosedom na vrt. Zato pogled v tema\u010dne oblake med prebivalci Komende in okoli\u0161kih krajev zaradi prepogostih kataklizmi\u010dnih posledic \u0161e dolgo ne bodo vzbudili ni\u010d drugega kot zaskrbljenost nad mo\u017eno ujmo, ki ne prizanese nikomur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Lee Hooker - &quot;Tupelo Blues&quot; (1993)\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/6yyWvUTsBsE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0\u00a0\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Albert King, Pops Staples, &amp; Steve Cropper - Tupelo\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/65j0o-m-BrM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mississippi River Flood of 1927\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/oHzqHf5eEM8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Great Flood of 1927: The Disaster That Broke the Mississippi Forever\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/OHYhfAwXEqc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Razmi\u0161ljam in poslu\u0161am &#8211; 34<\/p>\n","protected":false},"author":89047,"featured_media":32409,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[],"class_list":["post-32407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kolumna"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/89047"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32407"}],"version-history":[{"count":4,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32407\/revisions"}],"predecessor-version":[{"id":32416,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32407\/revisions\/32416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/32409"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}