{"id":32527,"date":"2026-08-03T00:07:00","date_gmt":"2026-08-02T22:07:00","guid":{"rendered":"https:\/\/novamuska.org\/?p=32527"},"modified":"2026-08-03T09:13:34","modified_gmt":"2026-08-03T07:13:34","slug":"nepopolna-zgodovina-glasbe","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=32527","title":{"rendered":"Nepopolna zgodovina glasbe"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong>Naj bo zapisano: Nepopolna zgodovina glasbe<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">NOVA MUSKA z vami deli izvirno dokumentarno serijo <strong><a href=\"https:\/\/cosmicshambles.com\/fortherecord\" target=\"_blank\" rel=\"noreferrer noopener\">For the Record: An Incomplete History of Music<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-the-cosmic-shambles-network wp-block-embed-the-cosmic-shambles-network\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"tY3yPHjJ2M\"><a href=\"https:\/\/cosmicshambles.com\/fortherecord\/\">For the Record<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u201cFor the Record\u201d \u2014 The Cosmic Shambles Network\" src=\"https:\/\/cosmicshambles.com\/fortherecord\/embed\/#?secret=btSaEvxNdW#?secret=tY3yPHjJ2M\" data-secret=\"tY3yPHjJ2M\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ta ambiciozna devetdelna serija neodvisne produkcijske hi\u0161e <em><a href=\"https:\/\/cosmicshambles.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Cosmic Shambles\u00a0Network<\/a>, <\/em>ki je nastala s pomo\u010djo mno\u017ei\u010dnega financiranja (crowdfundinga), raziskuje zgodovino glasbe od njenih najzgodnej\u0161ih za\u010detkov do sodobnega \u010dasa. Ne osredoto\u010da se zgolj na slavne skladatelje ali priljubljene izvajalce, temve\u010d preu\u010duje, kako so zvok, znanost, kultura, tehnologija in \u010dlove\u0161ka ustvarjalnost oblikovali glasbo v razli\u010dnih civilizacijah neko\u010d in danes. Serija zdru\u017euje pogovore s strokovnjaki najrazli\u010dnej\u0161ih znanstvenih ter umetni\u0161kih disciplin, zapluje v globoke zgodovinske vire ter prika\u017ee eklekti\u010den izbor glasbenih izvedb, praks in in\u0161trumentarija, z namenom pokazati kako se je glasba razvijala skupaj s \u010dlove\u0161ko dru\u017ebo. \u010ceprav se zaveda svojih omejitev in nepopolnosti, saj priznava, da noben posamezni diskurz ne more zajeti celotne zgodbe o glasbi in zvoku, ji morda mestoma umanjka \u0161e kak\u0161en bolj poglobljen pogled ali zamejitev zelo \u0161irokih tematik. Gre za pou\u010dno serijo, ki je hkrati dovolj dinami\u010dna, da zbuja radovednost in hkrati ohranja gledal\u010devo pozornost. Priporo\u010damo ogled.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">1. DEL<\/span>\u00a0 <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u200bepopolna&nbsp;zgodovin\u200ba&nbsp;glasbe&nbsp;\u200bse&nbsp;za\u010dne povsem na za\u010detku vsega \u2013 pri velikem poku, ko so nastali pogoji, ki so sploh omogo\u010dili obstoj zvoka.&nbsp;\u200bAstrofiziki, in\u017eenirji akustike, fiziki, oceanologi, zoomuzikologi, glasbeniki, nevroznanstveniki&nbsp;in ostali strokovnjaki ter strokovnjakinje v prvem delu raziskuje\u200bjo&nbsp;razliko med glasbo in zvokom ter razpravlja\u200bjo&nbsp;o tem, ali je glasba nekaj, kar je edinstveno \u010dlove\u0161ko, ali pa&nbsp;\u200bkot glasbo lahko smatramo tudi denimo ogla\u0161anje ptic ali kitov.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part One | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/quj8JVU-usw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">2. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V drugem delu se dokumentarec posve\u010da matematiki (tudi pitagorejski uglasitvi), ki je temelj glasbene strukture in obenem raziskuje, kako se ta razlikuje med razli\u010dnimi kulturami, pri \u010demer se seznanimo tudi z osnovami makama ter indijske klasi\u010dne glasbe. Nevroznanstveniki, matematiki, glasbeniki in skladatelji pa sku\u0161ajo odgovoriti tudi na vpra\u0161anje, zakaj imamo ljudje glasbo tako radi.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Two | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/uZHCvjUpciI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">3. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tretji del raziskuje zgodovino muzikalnosti pri \u010dlove\u0161kih prednikih, tudi neandertalcih. Odkriva najstarej\u0161e znano glasbilo (ne, ni neandertalska pi\u0161\u010dal iz jame Divje babe \u2013 to teorijo gostujo\u010di znanstveniki zavr\u017eejo) ter raziskuje glasbo starodavnih civilizacij \u2013 od Babilona prek Gr\u010dije do Egipta ter staroselskih glasbenih praks. Ogledamo si lahko, kako se je glasba prena\u0161ala in pou\u010devala skozi razli\u010dne kulture in generacije.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Three | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/yBD3cggIxao?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">4. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010cetrti del na primeru klavirjev in kitar raziskuje zgodovino razvoja glasbil \u2013 od starodavnih instrumentov do sodobnih elektronskih naprav. Nato se posveti temu, kako je glasba za\u010dela potovati po svetu: od izuma notnega zapisa do snemanja ter sistemov za distribucijo, kot so gramofonske plo\u0161\u010de in radio.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Four | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/2LWTLhOJbFA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">5. DEL<\/span><\/strong>\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Peti del govori o vlogi religije v glasbi ter nastanku dveh najpomembnej\u0161ih vplivov na zahodno glasbo \u2013 opere in klasi\u010dne glasbe. Raziskuje, kako se klasi\u010dna glasba razlikuje od regije do regije, od Evrope do Kitajske in Afrike, ter kako se je spreminjala skozi \u010das. Odkriva tudi, kako gluhi ljudje do\u017eivljajo glasbo in kak\u0161en vpliv ima glasba v filmski umetnosti.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Five | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/oQLQOsI6ao8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">6. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Velikanski vpliv afri\u0161kih ritmov na glasbe po svetu je osrednja tema (\u0161es)te epizode. Raziskuje, kako sta neuklonljivost in ustvarjalnost zasu\u017enjenih ljudi iz afri\u0161kega kontinenta v brutalnih pogojih prispevala k nastanku glasbenih zvrsti, kot so blues, jazz, country, rock&#8217;n&#8217;roll in \u0161tevilne druge. Epizoda se poglobi tudi v bogato glasbeno zgodovino in tradicijo New Orleansa in njegovih godb. Dotakne se tudi vloge glasbe pri mu\u010denju in nadzoru nad posamezniki ali skupinami.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Six | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/h_u9UXLvU4k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">\u200b7. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">V tej epizodi pionirji hip hopa spregovorijo o za\u010detkih tega glasbenega \u017eanra in vsem, kar je iz njega zraslo, predvsem o njegovem vplivu na kulturo, pokuka pa tudi v Bollywood in na Broadway (zgodovina muzikalov). Hkrati \u0161ir\u0161e osvetljuje vlogo glasbe v politiki, dru\u017ebenih spremembah (tudi na primeru folk glasbe), komediji, celo na nogometnih tekmah ter se dotakne tudi njene temnej\u0161e plati \u2013 kako so glasbo izrabljali nekateri najhuj\u0161i posamezniki v zgodovini. V tej epizodi so, mimogrede, omenjeni tudi Laibach.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Seven | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/hAbDc512DgI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">8. DEL\u00a0<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Osmi del sku\u0161a odgovoriti na vpra\u0161anja, kot so \u2013 zakaj se nam nekateri pesmi \u00bbzataknejo\u00ab v mo\u017eganih, kaj naredi neko glasbo bolj priljubljeno od druge, in zakaj imamo ljudje tako razli\u010dne glasbene okuse? Slednje raziskuje na primeru skupine The Beatles in Taylor Swift. Prav tako nam ponuja vpogled v zalo\u017ebi, ki sta postali svoj \u017eanr, kot sta bili Motown in Stax. Posveti se tudi procesu pisanja pesmi za uglasbitev oz. songwritingu ter glasbi za otroke.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Eight | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/GAx4pyBTbCE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong><span style=\"text-decoration: underline;\">9. DEL<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poslednja epizoda se ukvarja z vpra\u0161anjem kak\u0161na prihodnost \u010daka glasbo v svetu preto\u010dnih platform, umetne inteligence in s tem povezane ultimativne komodifikacije glasbe. Raziskuje nekatere novej\u0161e pojave v svetu glasbe, med njimi rejve, elektronsko glasbo, mno\u017ei\u010dno financiranje, glasbeno terapijo ter zdravljenje s psihedeliki. Z astronavti in legendami raziskovanja vesolja se ekipa pogovarja o tem, zakaj je glasba tako pomembna, da smo jo poslali celo v vesolje (\u0161e posebej izpostavi zgodb Voyagerjeve zlate plo\u0161\u010de), ter zakaj mo\u010di glasbe v \u017eivo ni mogo\u010de nikoli podcenjevati.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"For the Record: An Incomplete History of Music - Part Nine | Presented by Charlotte Ritchie\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/lp75UZKxRbo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><br><strong><em>Nekaj priporo\u010dene literature iz dokumentarne serije:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The End of Everything (Astrophysically Speaking)<\/em>&nbsp;\u2013 Katie Mack<\/li>\n\n\n\n<li><em>Our Accidental Universe: Stories of Discovery from Asteroids to Aliens<\/em>&nbsp;\u2013 Chris Lintott<\/li>\n\n\n\n<li><em>Storm in a Teacup: The Physics of Everyday Life<\/em>&nbsp;\u2013 Helen Czerski<\/li>\n\n\n\n<li><em>Blue Machine: How the Ocean Shapes Our World<\/em>&nbsp;\u2013 Helen Czerski<\/li>\n\n\n\n<li><em>The Music Instinct: How Music Works and Why We Can\u2019t Do Without It<\/em>&nbsp;\u2013 Philip Ball<\/li>\n\n\n\n<li><em>Overloaded: How Every Aspect of Your Life is Influenced by Your Brain Chemicals<\/em>&nbsp;\u2013 Ginny Smith<\/li>\n\n\n\n<li><em>From the Vault: Studies in Taylor Swift, from Lyrics to Literature<\/em>&nbsp;\u2013 Clio Doyle<\/li>\n\n\n\n<li><em>Why Dylan Matters<\/em>&nbsp;\u2013 Richard F. Thomas<\/li>\n\n\n\n<li><em>A Year of Birdsong: 52 Stories of Songbirds<\/em>&nbsp;\u2013 Dominic Couzens<\/li>\n\n\n\n<li><em>Preservation Hall<\/em>&nbsp;\u2013 Eve Abrams<\/li>\n\n\n\n<li><em>Divine Might: Goddesses in Greek Myth<\/em>&nbsp;\u2013 Natalie Haynes<\/li>\n\n\n\n<li><em>Alfred\u2019s Basic Piano Library: Lesson Book Complete Level 1<\/em>&nbsp;\u2013 Manus and Lethco Palmer<\/li>\n\n\n\n<li><em>The Birth of Music Theory<\/em>&nbsp;\u2013 Richard Dumbrill<\/li>\n\n\n\n<li><em>Where Songs Come From: The Lyrics and Origin Stories of 150 Solo and Carter USM Songs<\/em>&nbsp;\u2013 Jim Bob<\/li>\n\n\n\n<li><em>Humble Pi: A Comedy of Maths Errors<\/em>&nbsp;\u2013 Matt Parker<\/li>\n\n\n\n<li><em>Dolly Parton: Songteller<\/em>&nbsp;\u2013 Dolly Parton &amp; Robert K. Oermann<\/li>\n\n\n\n<li><em>Johann Sebastian Bach: The Learned Musician<\/em>&nbsp;\u2013 Christoph Wolff<\/li>\n\n\n\n<li><em>Stalin\u2019s Music Prize: Soviet Culture and Politics<\/em>&nbsp;\u2013 Marina Frolova-Walker<\/li>\n\n\n\n<li><em>The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe<\/em>&nbsp;\u2013 Stephon Alexander<\/li>\n\n\n\n<li><em>The Singing Neanderthals: The Origins of Music, Language, Mind and Body<\/em>&nbsp;\u2013 Steven Mithen<\/li>\n\n\n\n<li><em>The Happy Brain: The Science of Where Happiness Comes From, and Why<\/em>&nbsp;\u2013 Dean Burnett<\/li>\n\n\n\n<li><em>This Is Your Brain on Music: Understanding a Human Obsession<\/em>&nbsp;\u2013 Daniel Levitin<\/li>\n\n\n\n<li><em>Say Why to Drugs: Everything You Need to Know about the Drugs We Take and Why We Get High<\/em>&nbsp;\u2013 Suzi Gage<\/li>\n\n\n\n<li><em>The Human Brain in Ancient Egypt: A Medical and Historical Re-Evaluation of Its Function and Importance<\/em>&nbsp;\u2013 Sofia Aziz<\/li>\n\n\n\n<li><em>Music, Text, and Culture in Ancient Greece<\/em>&nbsp;\u2013 Armand D\u2019Angour<\/li>\n\n\n\n<li><em>Early Music Printing in German-Speaking Lands<\/em>&nbsp;\u2013 Elisabeth Giselbrecht (ur.)<\/li>\n\n\n\n<li><em>How Popular Musicians Learn: A Way Ahead for Music Education<\/em>&nbsp;\u2013 Lucy Green<\/li>\n\n\n\n<li><em>Music, Informal Learning and the School: A New Classroom Pedagogy<\/em>&nbsp;\u2013 Lucy Green<\/li>\n\n\n\n<li><em>Music, Gender, Education<\/em>&nbsp;\u2013 Lucy Green<\/li>\n\n\n\n<li><em>Music on Deaf Ears<\/em>&nbsp;\u2013 Lucy Green<\/li>\n\n\n\n<li><em>How Musical Is Man?<\/em>&nbsp;\u2013 John Blacking<\/li>\n\n\n\n<li><em>Seafaring: Canoeing Ancient Songlines<\/em>&nbsp;\u2013 Victor Briggs<\/li>\n\n\n\n<li><em>The Songlines<\/em>&nbsp;\u2013 Bruce Chatwin<\/li>\n\n\n\n<li><em>Song Spirals: Sharing Women&#8217;s Wisdom of Country Through Songlines<\/em>&nbsp;\u2013 Gay\u2019wu Group of Women<\/li>\n\n\n\n<li><em>Musical Instruments: Their History from the Stone Age to the Present Day<\/em>&nbsp;\u2013 Karl Geiringer<\/li>\n\n\n\n<li><em>Music in Primitive Culture<\/em>&nbsp;\u2013 Bruno Nettl<\/li>\n\n\n\n<li><em>Musical Instruments: From the Renaissance to the 19th Century<\/em>&nbsp;\u2013 Sergio Paganelli<\/li>\n\n\n\n<li><em>The Sound of Being Human: How Music Shapes Our Lives<\/em>&nbsp;\u2013 Jude Rogers<\/li>\n\n\n\n<li><em>Early Symbolic Culture and the Evolution of Behavioral Modernity<\/em>&nbsp;\u2013 Nicholas Conard<\/li>\n\n\n\n<li><em>Memories of the Old Plantation Home: A Creole Family Album<\/em>&nbsp;\u2013 Laura Locoul Gore, Norman Marmillion &amp; Sandy Marmillion<\/li>\n\n\n\n<li><em>Spirit Capture: Photographs from the National Museum of the American Indian<\/em>&nbsp;\u2013 Tim Johnson<\/li>\n\n\n\n<li><em>Narrative of the Life of Frederick Douglass, an American Slave<\/em>&nbsp;\u2013 Frederick Douglass<\/li>\n\n\n\n<li><em>Congo Square: African Roots in New Orleans<\/em>&nbsp;\u2013 Freddi Williams Evans<\/li>\n\n\n\n<li><em>Faubourg Trem\u00e9<\/em>&nbsp;\u2013 Alexis Pazoumian &amp; Jacques Denis<\/li>\n\n\n\n<li><em>Slave Songs of the United States<\/em>&nbsp;\u2013 William Francis Allen, Charles Pickard Ware &amp; Lucy McKim Garrison<\/li>\n\n\n\n<li><em>Jockomo: The Native Roots of Mardi Gras Indians<\/em>&nbsp;\u2013 Shane Lief &amp; John McCusker<\/li>\n\n\n\n<li><em>Louis Armstrong in His Own Words<\/em>&nbsp;\u2013 Louis Armstrong<\/li>\n\n\n\n<li><em>Louis Armstrong: An Extravagant Life<\/em>&nbsp;\u2013 Laurence Bergreen<\/li>\n\n\n\n<li><em>Louis Armstrong\u2019s New Orleans<\/em>&nbsp;\u2013 Thomas Brothers<\/li>\n\n\n\n<li><em>Louis Armstrong \u2013 Singing, Swinging, Satchmo<\/em>&nbsp;\u2013 Sanderson Brown<\/li>\n\n\n\n<li><em>Queer Blues: The Hidden Figures of Early Blues Music<\/em>&nbsp;\u2013 Darryl W. Bullock<\/li>\n\n\n\n<li><em>The Jazz Book<\/em>&nbsp;\u2013 Joachim-Ernst Berendt<\/li>\n\n\n\n<li><em>Up From the Cradle of Jazz: New Orleans Music Since World War II<\/em>&nbsp;\u2013 Jason Berry, Jonathan Foose &amp; Tad Jones<\/li>\n\n\n\n<li><em>Mahalia Jackson and the Black Gospel Field<\/em>&nbsp;\u2013 Mark Burford<\/li>\n\n\n\n<li><em>Testimony<\/em>&nbsp;\u2013 Robbie Robertson<\/li>\n\n\n\n<li><em>New Orleans Jazzlife 1960<\/em>&nbsp;\u2013 William Claxton &amp; Joachim E. Berendt<\/li>\n\n\n\n<li><em>R. Crumb\u2019s Heroes of Blues, Jazz &amp; Country<\/em>&nbsp;\u2013 Robert Crumb<\/li>\n\n\n\n<li><em>The History of the Blues: The Roots, The Music, The People<\/em>&nbsp;\u2013 Francis Davis<\/li>\n\n\n\n<li><em>Under a Hoodoo Moon: The Life of Dr. John the Night Tripper<\/em>&nbsp;\u2013 Dr. John &amp; Jack Rummel<\/li>\n\n\n\n<li><em>But Beautiful: A Book About Jazz<\/em>&nbsp;\u2013 Geoff Dyer<\/li>\n\n\n\n<li><em>Blues and the Poetic Spirit<\/em>&nbsp;\u2013 Paul Garon<\/li>\n\n\n\n<li><em>The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last<\/em>&nbsp;\u2013 Francesco Lotoro<\/li>\n\n\n\n<li><em>Trem\u00e9: Race and Place in a New Orleans Neighborhood<\/em>&nbsp;\u2013 Michael E. Crutcher Jr.<\/li>\n\n\n\n<li><em>The Devil\u2019s Music<\/em>&nbsp;\u2013 Giles Oakley<\/li>\n\n\n\n<li><em>Deep Blues: A Musical and Cultural History of the Mississippi Delta<\/em>&nbsp;\u2013 Robert Palmer<\/li>\n\n\n\n<li><em>Two-Headed Doctor: Listening for Ghosts in Dr. John&#8217;s Gris-Gris<\/em>&nbsp;\u2013 David Toop<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>O dokumentarni seriji For the Record: An Incomplete History of Music<\/p>\n","protected":false},"author":16,"featured_media":32534,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[],"class_list":["post-32527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmi"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32527"}],"version-history":[{"count":9,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32527\/revisions"}],"predecessor-version":[{"id":32539,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/32527\/revisions\/32539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/32534"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}