{"id":4646,"date":"2012-07-21T08:00:50","date_gmt":"2012-07-21T06:00:50","guid":{"rendered":"http:\/\/novamuska.org\/?p=4646"},"modified":"2013-02-12T11:09:09","modified_gmt":"2013-02-12T10:09:09","slug":"plosca-tom-jones-spirit-in-the-room-island-2012","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=4646","title":{"rendered":"PLO\u0160\u010cA: Tom Jones &#8211; Spirit in the Room (Island, 2012)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4647\" title=\"tomjones_spirit\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2012\/07\/tomjones_spirit.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2012\/07\/tomjones_spirit.jpg 500w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/07\/tomjones_spirit-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/07\/tomjones_spirit-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/07\/tomjones_spirit-110x110.jpg 110w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\">Z uvodno izvedbo Cohenove <span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=3JWiPFT0v2c\"><em>Tower Of Song<\/em><\/a><\/span><\/span> Tom Jones na novem albumu potrjuje tisto, kar se je precej jasno pokazalo \u017ee na predhodniku <em>Praise And Blame <\/em>(2010) &#8211; da v osmem desetletju \u017eivljenja ne \u017eeli biti ve\u010d prepoznaven zgolj kot popevkar ali \u00bbentertainer\u00ab, pa\u010d pa kot tak, kakr\u0161en je tudi za\u010del svojo pevsko pot v vali\u017eanskih pubih \u2013 energi\u010den in umetni\u0161ko konsistenten izvajalec \u00bbroots\u00ab glasbe. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\">Tisti, ki poznate zgodovino popularne glasbe in ste morda tudi pobli\u017ee spremljali kariero \u00bbTigra\u00ab, kot so ga poimenovali mediji, veste, da so tudi nekatere njegove zgodnje uspe\u0161nice bile zgolj na videz lahkotni \u0161lagerji; znamenita <em>Green Green Grass Of Home<\/em> namre\u010d pripoveduje o zadnjih trenutkih obsojenca na smrt, ko je tik pred tem, da ponj prideta duhovnik in stra\u017ear, ki ga bosta popeljala na eksekucijo, <em>Delilah<\/em> pa je kljub bombasti\u010dnemu refrenu ena temnej\u0161ih morilskih balad \u2013 ni naklju\u010dje, da je Nick Cave na svojem albumu priredb <em>Kicking Against The Pricks<\/em> posegel po baladi <a href=\"http:\/\/www.youtube.com\/watch?v=7WK284HmGCo\"><span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><em>Weeping Annaleah<\/em><\/span><\/span><span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\">,<\/span><\/span><\/a> ki je <em>Delilah<\/em> delala dru\u017ebo na Jonesovem istoimenskem albumu leta 1968. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\">Medtem ko se je na albumu <em>Praise And Blame <\/em>sir Tom tematsko loteval gospela, to\u010dneje himni\u0161tva in krivde, je rde\u010da nit novega minevanje. \u017de uvodna Cohenova mojstrovina, ki je Jonesu pisana na ko\u017eo, dolo\u010di usmeritev albuma. Preostalih dvanajst pesmi, napisanih prav za ta album ali spretno nabranih iz obse\u017ene skrinje americane, je izpod peres raznovrstnih mojstrov, od Paula McCartneyja, Paula Simona, Mickeyja Newburyja do Odette, Blind Willieja Johnsona, Boba Dylana in Toma Waitsa. Jones si je od slednjega izbral naslovno skladbo njegovega zadnjega albuma, <em>Bad As Me<\/em>, kot nekak\u0161no \u00bbapoteozo osebne izkaznice\u00ab, pri\u010devanje \u010dloveka, ki je marsikaj pre\u017eivel, a \u0161e ni rekel zadnje besede. Kot se album domiselno za\u010dne, se tudi domiselno zaklju\u010di, z izvedbo Dylanove <span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=LjVatRs8_A0\"><em>When The Deal Goes Down<\/em><\/a><\/span><\/span>, z albuma <em>Modern Times <\/em>(2006). Formalno ljubezenska pesem je <em>Deal <\/em>nekak\u0161no dopolnilo <em>Not Dark Yet<\/em>, objavljene leta 1997, verjetno definitivne pesmi o zavedanju konca; medtem ko je protagonist v njej sam, nekak\u0161en zadnji \u010dlovek na svetu, v <em>Deal<\/em> spet najde sorodno du\u0161o ali si vsaj \u017eeli, da bi jo. In \u010de Tom Jones kot Mr. Sexbomb pred poldrugim desetletjem ni mogel biti ve\u010d zares prepri\u010dljiv, je v Dylanovi pesmi dokazal, da izku\u0161nje zorijo z leti, ne glede na to, kako se trudi\u0161, da bi tudi ob nezadr\u017enem staranju obdr\u017eal podobo tigra. <\/span><\/span><\/p>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\">Poleg \u017ee omenjenih treh izvedb, Cohenove, Waitsove in Dylanove pesmi, so najprepri\u010dljivej\u0161e izvedbe na albumu prav tiste, ki se dotikajo izro\u010dila tradicionalnega bluesa, \u010deprav sta pod njimi podpisana Jones in producent Ethan Johns \u2013 v tem duhu sta stara gospela<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=QcvveKe5hm8&amp;feature=related\"><em>Traveling Shoes<\/em><\/a><\/span><\/span><em> <\/em>in <em>Lone Pilgrim<\/em>, prav gotovo pa tudi <em>Soul Of A Man <\/em>Blind Willieja Johnsona in <em>Hit Or Miss <\/em>Odette, ki so jo izdali tudi kot malo plo\u0161\u010do. Morda bi sem dodali \u0161e Thompsonovo <em>Dimming Of The Day <\/em>in Newburryjevo <em>Just Dropped In<\/em>, ki sodi v nabor Jonesovih najprepri\u010dljivej\u0161ih \u00bbcountryjevskih\u00ab izletov (<em>Green Green Grass Of Home, Funny Familiar Forgotten Feelings<\/em> \u2026). Ob takem albumu zlahka pozabimo na Jonesov \u00bbvega\u0161ki\u00ab ugled, pa tudi na Eurosong se, kot ka\u017ee, na sre\u010do ne bo prijavljal.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\">\n","protected":false},"excerpt":{"rendered":"<p>Ob takem albumu zlahka pozabimo na Jonesov \u00bbvega\u0161ki\u00ab ugled&#8230;<\/p>\n","protected":false},"author":30,"featured_media":4648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-4646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4646"}],"version-history":[{"count":6,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4646\/revisions"}],"predecessor-version":[{"id":5945,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4646\/revisions\/5945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/4648"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}