{"id":4790,"date":"2012-08-19T08:00:15","date_gmt":"2012-08-19T06:00:15","guid":{"rendered":"http:\/\/novamuska.org\/?p=4790"},"modified":"2013-02-12T11:09:08","modified_gmt":"2013-02-12T10:09:08","slug":"plosca-joey-ramone-ya-know-mutated-musicbmg-rights-entertaiment-2012","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=4790","title":{"rendered":"PLO\u0160\u010cA: Joey Ramone – …Ya know? (Mutated Music\/BMG Rights Entertaiment, 2012)"},"content":{"rendered":"

\u00a0\"\"<\/a><\/p>\n

\n

Bruce Springsteen sre\u010da Joeya Ramona v Asbury Parku, New Jersey. Taisti ve\u010der spi\u0161e Hungry Heart<\/em>, pesem, namenjeno Joeyjevemu bendu The Ramones, a jo po premisleku (in nasvetu) obdr\u017ei in objavi kot prvo malo plo\u0161\u010do z albuma The River <\/em>(1980). Tom Waits spi\u0161e pesem I Don’t Wanna Grow Up<\/em>. Posname jo leta 1992 za album Bone Machine, <\/em>\u010dez tri leta pa se znajde na albumu Adios Amigos<\/em>! <\/em>zasedbe The Ramones. Joey Ramone umre v letu 2001. Februarja 2012 Steven van Zandt spi\u0161e spremno besedo k drugemu solisti\u010dnemu albumu Joeyja Ramona, ki je, kot prvi, izdan posmrtno. Pesmi zanj nastanejo med letoma 1977-2000. <\/span><\/span><\/p>\n

\n

Ramonesi so nastali po podobni identitetni liniji kot pozneje Traveling Wilburys \u2013 s privzemom novih \u00bbidentitet\u00ab so ustvarili koherentno celoto, ki je predvsem na prvih \u0161tirih albumih brezkompromisno \u017egala svojo razli\u010dico punk’n’rocka. Joey Ramone (rojen Jeffry Ross Hyman) je bil ves \u010das ena klju\u010dnih osebnosti pri oblikovanju identitete benda, sicer sam globoko zakoreninjen v zgodovini rokenrola in sopotnih zvrsti (The Beatles, The Who, The Stooges, spectorjevske dekli\u0161ke zasedbe iz \u0161estdesetih \u2026), kar se pozna tudi na drugem solisti\u010dnem, takisto posmrtnem albumu, ki je iz\u0161el pred kratkim. Kakih resnih prese\u017ekov ni iskati, album je bolj ali manj zgolj arhiv preostalih solisti\u010dnih posnetkov, ki jih je Joey Ramone ustvaril kot samostojna glasbena osebnost, a kam zelo dale\u010d od temeljev glasbe Ramonesov se ni podajal; na albumu je celo nekak\u0161en \u00bbodpev\u00ab v obliki dveh novih solo izvedb \u017ee posnetih pesmi Ramonesov (Life’s A Gas<\/em><\/a><\/span><\/span>, Merry Christmas (I Don’t Want To Fight Tonight)<\/em>).<\/span><\/span><\/p>\n

\n

Album se ve\u010dinoma sprehaja med bolj ali manj navdihnjenimi kli\u0161eji rokenrola, od \u00bbhimni\u010dnih\u00ab pesmi (Rock’n’Roll Is The Answer<\/em><\/a><\/span><\/span>), rokenrola kot zabave (Party <\/em>Line), preko punkovske deziluzije (What Did I Do To Deserve You<\/em>) do \u00bbidentitetnih\u00ab pravoverno rockovskih vpra\u0161anj (Seven Days Of Gloom<\/em><\/a><\/span><\/span>). Slednja pesem je po mnenju avtorja tega zapisa tudi najbolj\u0161a na albumu, ponekod nekoliko tompettyjevska, s svojim uvodnim kvartetom \u00bbSeven days of gloom \/ here in my room \/ if it wasn’t for Stooges \/ my life would be doomed\u00ab povzema tudi sicer\u0161njo dr\u017eo Joeyja Ramona in njegovih sotrudnikov; zasedba, ki je pomagala glasbeno oblikovati te pesmi, sega vse od, med drugimi, \u017ee omenjenega Stevena van Zandta in Joan Jett, do Richieja Ramona, Joeyjevega brata Mickeya Leigha, Holly Beth Vincent in posameznih \u010dlanov zasedbe Cheap Trick. <\/span><\/span><\/p>\n

\n

Joey Ramone na posnetkih pri\u010dujo\u010dega albuma popla\u010da tudi precej osebnih dolgov \u2013 od ode New Yorku (New York City<\/em>) do countryjevsko-rockerske imagerije vlaka (Waiting For That Railroad<\/em>), ki ima korenine v gospelu in bluesu. Krog je sklenjen in potovanje se lahko za\u010dne znova.\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Druga in zadnja solo plo\u0161\u010da Joeyja…<\/p>\n","protected":false},"author":30,"featured_media":4792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-4790","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4790"}],"version-history":[{"count":6,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4790\/revisions"}],"predecessor-version":[{"id":5934,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4790\/revisions\/5934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/4792"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}