{"id":4968,"date":"2012-08-23T23:57:53","date_gmt":"2012-08-23T21:57:53","guid":{"rendered":"http:\/\/novamuska.org\/?p=4968"},"modified":"2013-02-12T11:09:08","modified_gmt":"2013-02-12T10:09:08","slug":"plosca-norah-jones-little-broken-hearts-blue-notedallas-2012","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=4968","title":{"rendered":"PLO\u0160\u010cA: Norah Jones &#8211; Little Broken Hearts (Blue Note\/Dallas, 2012)"},"content":{"rendered":"<p lang=\"sl-SI\" align=\"JUSTIFY\">\u00a0<a href=\"https:\/\/novamuska.org\/?attachment_id=4969\" rel=\"attachment wp-att-4969\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4969\" title=\"1_norah_jones_little_broken_hearts_2012\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2012\/08\/1_norah_jones_little_broken_hearts_2012.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2012\/08\/1_norah_jones_little_broken_hearts_2012.jpg 500w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/08\/1_norah_jones_little_broken_hearts_2012-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/08\/1_norah_jones_little_broken_hearts_2012-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2012\/08\/1_norah_jones_little_broken_hearts_2012-110x110.jpg 110w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p lang=\"sl-SI\" align=\"JUSTIFY\">\n<p lang=\"sl-SI\" align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Koj na za\u010detku je treba zapisati: novi album Norah Jones se odli\u010dno poslu\u0161a \u017ee od samega za\u010detka (<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=0brseYskWhI\"><em>Good Morning<\/em><\/a><\/span><\/span>), s substanco pa je nekaj te\u017eav. Ustvarjalnega in artisti\u010dnega poguma premore Norah Jones kar precej; po izjemnem komercialnem uspehu prvih dveh plo\u0161\u010d se z naslednjimi tremi iz mainstreama vse bolj pomika v nekak\u0161no semi-alter obmo\u010dje; ne ustra\u0161i se sve\u017eih produkcijskih posegov, premike s klavirja h kitari in nazaj pa izvaja \u017ee nekaj \u010dasa, \u010deprav se zdi, da klavir kljub vsemu obvladuje precej bolj suvereno. Je pa njeno ritmi\u010dno igranje kitare dobrodo\u0161el dodatek k novemu zvoku, ki ga je u\u010dinkovito za\u010dela raziskovati \u017ee na plo\u0161\u010di <em>Not Too Late <\/em> (2007), ga zacementirala na <em>The Fall<\/em> (2009), ki je vsaj zame njena najbolj\u0161a plo\u0161\u010da, in se na novi plo\u0161\u010di podala \u0161e v nekoliko drznej\u0161e vode z distorziranimi vokali (<em>Take It Back<\/em>) in produkcijskimi prijemi, ki bi lahko podlagali kak dober film Vincenta Pricea. <\/span><\/span><\/p>\n<p lang=\"sl-SI\" align=\"JUSTIFY\">\n<p lang=\"sl-SI\" align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Medtem ko je <em>The Fall<\/em> bila \u00bbplo\u0161\u010da v razhajanju\u00ab, je <em>Little Broken Hearts <\/em>\u00bbplo\u0161\u010da ugotovitev\u00ab. Jonesova ugotavlja, da biti sam niti ni tako slabo in na albumu privzame nekak\u0161no podobo \u00bblonerja\u00ab, osebe, ki se kot Sre\u010dni Luka s konjem (Jonesova ima sicer avto, alternativo konja v rocku) izgubi v son\u010dni zahod (<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=pYhvNNwpvnM\"><em>Out On The Road<\/em><\/a><\/span><\/span>). Priznati je treba, da je na <em>The Fall<\/em> bila bolj prepri\u010dljiva v samoizpra\u0161evanju, saj se pri \u00bbpopotni\u0161ki malhi\u00ab na novi plo\u0161\u010di ve\u010dkrat oprijema kli\u0161ejev, kar ne bi bilo ni\u010d slabega, \u010de bi jih avtorsko uspe\u0161no privzela in nekolikanj nadgradila. <em>She&#8217;s 22<\/em> je tipi\u010dna pesem o tem, kako on ljubi drugo, a prizadeta \u017eeli samo, da bi bil sre\u010den. Brez u\u010dinkovitih produkcijskih posegov bi pesem izzvenela precej medlo. Podobno je z <em>Miriam<\/em>; tematiko tekmic, kjer doti\u010dna protagonistka nikoli ne zmaga in ji zato ostaneta grenkoba in sovra\u0161tvo, sta izmojstrili \u017ee Dolly Parton in Loretta Lynn, pa tudi Suzi Quatro, denimo. Ha, ko smo \u017ee pri Suzi Quatro; njena pesem <em>She&#8217;s In Love With You<\/em>, ki zlahka aplicira tako na <em>She&#8217;s 22 <\/em>kot na <em>Miriam<\/em>, je pozneje postala <em>Da nema ljubavi<\/em> v prepisu Srebrnih kril in taista zasedba je leta 1986 posnela pesem <em>Sini\u0161a<\/em>, ki z mo\u0161kega aspekta nekako povzema <em>Miriam<\/em>, le da nekolikanj bolj naravnost in sovra\u017eno. <\/span><\/span><\/p>\n<p lang=\"sl-SI\" align=\"JUSTIFY\">\n<p lang=\"sl-SI\" align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Klju\u010den in najbolj\u0161i stavek plo\u0161\u010de je <em>It ain&#8217;t easy to stay in love if you can&#8217;t tell lies<\/em> (skladba <span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=ynjYnKkXhbU\"><em>Say Goodbye<\/em><\/a><\/span><\/span>). Avtorsko sta pod vse pesmi podpisana Jonesova in Brian Burton, znan tudi kot Danger Mouse, producent plo\u0161\u010de. Dal ji je res zanimivo zvo\u010dno podobo, v kateri se, \u010de ob poslu\u0161anju ne prebiramo besedil, porazgubi marsikatera nerodnost. <em>Little Broken Hearts<\/em> je tekstualno tako korak nazaj, glasbeno pa drzen korak naprej. Norah Jones kot jezna\/u\u017ealo\u0161\u010dena alter-rockerica ne deluje vedno prepri\u010dljivo, ima pa tudi v tej izdaji dobre trenutke in celo dobre albume, pa tudi upa si, kar je ve\u010d, kar lahko trdimo za marsikaterega mainstreamovskega izvajalca. Novi album bo kot celota ostal bolj poskus nadgradnje prej\u0161njega, katerega uspe\u0161no glasbeno podobo bo v prihodnosti treba dopolniti z bolj domi\u0161ljeno tematsko tekstualizacijo.<\/span><\/span><\/p>\n<p lang=\"sl-SI\" align=\"JUSTIFY\">\n<p lang=\"sl-SI\" align=\"JUSTIFY\"><span style=\"font-family: Arial, sans-serif; font-size: medium;\"><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Novi album Norah Jones se odli\u010dno poslu\u0161a \u017ee od samega za\u010detka&#8230;<\/p>\n","protected":false},"author":30,"featured_media":4970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-4968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4968"}],"version-history":[{"count":5,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4968\/revisions"}],"predecessor-version":[{"id":5930,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/4968\/revisions\/5930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/4970"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}