{"id":5785,"date":"2013-01-25T18:16:27","date_gmt":"2013-01-25T17:16:27","guid":{"rendered":"http:\/\/novamuska.org\/?p=5785"},"modified":"2013-02-12T11:08:48","modified_gmt":"2013-02-12T10:08:48","slug":"kultura-in-prosveta-to-nasa-bo-osveta-2","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=5785","title":{"rendered":"Kultura in prosveta, to na\u0161a bo osveta 2."},"content":{"rendered":"<figure id=\"attachment_5787\" aria-describedby=\"caption-attachment-5787\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5787\" alt=\"Harmonia-Brian-Eno-1976\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2013\/01\/Harmonia-Brian-Eno-1976.jpg\" width=\"600\" height=\"403\" \/><figcaption id=\"caption-attachment-5787\" class=\"wp-caption-text\">Harmonia 1976 (Eno, Roedelius, Moebius in Rother)<\/figcaption><\/figure>\n<p style=\"text-align: center;\">\n<p>Sem precej ob\u010dutljiv na izkrivljanje dejstev in zgodovinske resnice, kar se non-stop dogaja. Izvolite, samo dva zadnja primera:<\/p>\n<p>Prvi se sicer ne nana\u0161a na glasbo, ampak vseeno. Nedavno sem prebral, da naj bi bil Jan\u0161a avtor slavnega Mladininega \u010dlanka z naslovom Mamula go home! s konca 1980 let. Ne spomnim se, kdo je ta tekst dejansko napisal (Gorazd Suhadolnik, op. ur., <a href=\"http:\/\/www.mladina.si\/119681\/o-mamuli\/\">http:\/\/www.mladina.si\/119681\/o-mamuli\/<\/a>), vem pa, da stoodstotno ni bil Jan\u0161a. Pa ta dezinformacija\u00a0ni pri\u0161la s strani Jan\u0161evih privr\u017eencev, ampak kritikov! Glede na to, da se tipu pripisuje malone \u017ee vse zasluge za demokratizacijo in &#8220;osamosvojitev&#8221; Slovenije in da se zadeva le \u0161e stopnjuje, se res ne bi \u010dudil, \u010de bo nekdo \u010dez desetletja lansiral \u0161e, da je bil Jan\u0161a originalni pevec Pankrtov, ki so ga zaradi demokrati\u010dne dr\u017ee vrgli iz benda in zamenjali z Lov\u0161inom.<\/p>\n<p>Drugi primer pa sem prebral na MMC-jevem portalu v kolumni Matja\u017ea Ambro\u017ei\u010da Bowie 2013 (<a href=\"http:\/\/www.rtvslo.si\/zabava\/glasba\/bowie-2013\/300206\" target=\"_blank\">http:\/\/www.rtvslo.si\/zabava\/glasba\/bowie-2013\/300206<\/a>), v kateri pravi:<\/p>\n<p>\u201c<i>Ob nespornih Bowiejevih zaslugah za razvoj glasbene in modne govorice je bil precej odmeven na BBC4 predlani prikazan dokumentarni film Krautrock: The Rebirth of Germany, v katerem so \u010dlani avantgardne nem\u0161ke rock zasedbe Can pojasnili, kako jim je Brian Eno sunil nabor eksperimentalnega zvokovja, posnetega na njihovi farmi poleti 1972. Reko\u010d, da se bo s prebranim in produkcijsko dopolnjenim gradivom vrnil prihodnjo pomlad, se je Bowiejev prijatelj Eno izgubil. Can pa so nato glasbo, ki so jo ustvarili nekaj let prej, v letu 1997 sli\u0161ali \u017ee predelano v Bowiejev album Low.\u201d<\/i><\/p>\n<p>Omenjeni dokumentarec sem gledal. Kot prvo, sploh ne gre za Can, s katerimi ne Eno ne Bowie nikdar nista sodelovala, ampak se nana\u0161a na Moebiusa, Roedeliusa in Rotherja, se pravi \u010dlane formacij Cluster in Harmonia. In kot drugo, Rother, ki o tem spregovori, ne pravi, da se je Eno s posneto musko izgubil in jo predelano izdal na Bowievem albumu (jo po doma\u010de povedano ukradel), ampak z rahlo grenkobo pove, da je Eno pri njih dobil navdih za glasbo, ki jo je nekaj let kasneje ustvaril z Bowiejem, in z njo tudi obilno zaslu\u017eil, tako materialno kot medijsko, kar njim, resni\u010dnim inovatorjem, nikdar ni uspelo in so ostali na margini. Da so v \u010dlanku ob tem napa\u010dno navedene \u0161e letnice &#8211; ne 1972, ampak par let kasneje, in ne 1997, ampak 20 let prej &#8211; je pa itak samo \u0161e pika na i.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Necenzurirano&#8230;<\/p>\n","protected":false},"author":23,"featured_media":5788,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-5785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zapisi-glasbenikov"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/5785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5785"}],"version-history":[{"count":3,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/5785\/revisions"}],"predecessor-version":[{"id":5880,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/5785\/revisions\/5880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/5788"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}