{"id":7087,"date":"2013-09-18T08:00:07","date_gmt":"2013-09-18T06:00:07","guid":{"rendered":"http:\/\/novamuska.org\/?p=7087"},"modified":"2013-09-17T20:51:15","modified_gmt":"2013-09-17T18:51:15","slug":"plosca-guy-clark-my-favourite-picture-of-you-dualtone-2013","status":"publish","type":"post","link":"https:\/\/novamuska.org\/?p=7087","title":{"rendered":"PLO\u0160\u010cA: Guy Clark &#8211; My Favourite Picture Of You (Dualtone, 2013)"},"content":{"rendered":"<p lang=\"sl-SI\"><span style=\"font-family: Arial, sans-serif;\"><a href=\"https:\/\/novamuska.org\/?attachment_id=7088\" rel=\"attachment wp-att-7088\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-7088\" alt=\"clark_picture\" src=\"https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-600x596.jpg\" width=\"600\" height=\"596\" srcset=\"https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-600x596.jpg 600w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-1024x1018.jpg 1024w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-150x150.jpg 150w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-768x763.jpg 768w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-1536x1527.jpg 1536w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-36x36.jpg 36w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture-110x110.jpg 110w, https:\/\/novamuska.org\/wp-content\/uploads\/2013\/09\/clark_picture.jpg 2000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/span><\/p>\n<p lang=\"sl-SI\"><span style=\"font-family: Arial, sans-serif;\">\u017de s svojim prvim albumom, <\/span><span style=\"font-family: Arial, sans-serif;\"><i>Old No. 1<\/i><\/span><span style=\"font-family: Arial, sans-serif;\"> iz leta 1975, je Guy Clark postavil visoke standarde kakovosti, ki jih je bilo pozneje te\u017eko prese\u010di. Teksa\u010dan z du\u0161o in srcem, vendar ne z zastavo vihrajo\u010di, ampak brezkompromisno kriti\u010dni, je Guy Clark \u0161e vedno eden ambasadorjev pristne teksa\u0161ke folk glasbe, pome\u0161ane s countryjem in bluesom. Iz istega izro\u010dila prihajajo \u0161e nekateri drugi mojstri tovrstne glasbe, denimo Steven Fromholz, Billy Joe Shaver, nekoliko mlaj\u0161i Lyle Lovett in zlasti Townes van Zandt.<\/span><\/p>\n<p lang=\"sl-SI\">\n<p lang=\"sl-SI\"><span style=\"font-family: Arial, sans-serif;\">Guy Clark ni nikoli iskal \u017earometov. Njegove plo\u0161\u010de so izhajale po\u010dasi in dozorelo, njegove pesmi pa so postajale kultne (tudi) v izvedbah drugih izvajalcev, denimo Johnnyja Casha, Willieja Nelsona in drugih. Ve\u010dino svojega odraslega \u017eivljenja je s soprogo Sussano, ki je umrla lani, pre\u017eivel v Nashvillu, ob\u010dasno nastopal, snemal in izdeloval kitare. V zadnjem desetletju se njegove plo\u0161\u010de pojavljajo nekolikanj pogosteje, med letoma 2009 in 2013 so iz\u0161le tri, vse pri zalo\u017ebi Dualtone. Tretja v tem nizu je pri\u010dujo\u010da, <\/span><span style=\"font-family: Arial, sans-serif;\"><i>My Favorite Picture Of You,<\/i><\/span><span style=\"font-family: Arial, sans-serif;\"> ki, kot nekatere stvaritve kolegov, denimo Krisa Kristoffersona, nosi pe\u010dat minljivosti; vsa je v znamenju duha preminule soproge. Njena smrt je na Clarka, \u010deravno mu zdravje ne slu\u017ei ve\u010d najbolje, delovala na na\u010din \u00bbkreativne \u017ealosti\u00ab, podobno, kot se je to dogajalo z Johnnyjem Cashem po smrti June Carter, ko se je v svojih zadnjih mesecih \u017eivljenja zaprl v studio. Upamo, da bo Clark \u0161e dolgo med nami, velja pa priznati, da ravno teme minljivosti pri kultnih avtorjih zadnja leta povzro\u010dajo nastanke njihovih najbolj\u0161ih del; niz se je za\u010del \u017ee z Dylanovo plo\u0161\u010do <\/span><span style=\"font-family: Arial, sans-serif;\"><i>Time Out Of Mind<\/i><\/span><span style=\"font-family: Arial, sans-serif;\"> leta 1997, zelo opazen je v novej\u0161em Kristoffersonovem in Nelsonovem opusu, pri Clarku pa je prav tako. Nov album sodi med vrhunce njegove diskografije, ki sicer, resnici na ljubo, ni bila nikoli kaj preve\u010d sinusna, ampak ves \u010das precej izena\u010dena, \u010deprav bi kak poznavalec br\u017e\u010das trdil, da na prvi plo\u0161\u010di morda malce bolj navzgor kot na poznej\u0161ih. No, seveda, na prvencu je Clark zbral nekatere takrat \u017ee legendarne pesmi, denimo <\/span><span style=\"font-family: Arial, sans-serif;\"><i> L. A. Freeway <\/i><\/span><span style=\"font-family: Arial, sans-serif;\">in <\/span><a href=\"http:\/\/www.youtube.com\/watch?v=VbB5TRLF9mo\"><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><span style=\"font-family: Arial, sans-serif;\"><i>Desperados Waiting For A Train<\/i><\/span><\/span><\/span><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><span style=\"font-family: Arial, sans-serif;\">.<\/span><\/span><\/span><\/a><\/p>\n<p lang=\"sl-SI\">\n<p lang=\"sl-SI\"><span style=\"font-family: Arial, sans-serif;\">\u010ceravno Clark ni bil nikoli pojem komercialnega uspeha, je pri\u010dujo\u010di album pri\u0161el med prvih pet na lestvici Billboardovih albumov folk glasbe. Njegov zvok je klasi\u010dno clarkovski, prednja\u010di izvrsten fingerpicking, ki z minimalisti\u010dnimi aran\u017emaji daje pesmim presunljivost in globino. \u017de pozabljene vrednote \u017ee pozabljenega sveta so zdaj rahlo satirizirane, a ve\u010dinoma oto\u017eno stoi\u010dne, kot denimo reminiscen\u010dna <\/span><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=seONAflxevI\"><span style=\"font-family: Arial, sans-serif;\">naslovna skladba<\/span><\/a><\/span><\/span><span style=\"font-family: Arial, sans-serif;\"> ali pa po \u0161timungi zelo podobna <\/span><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.youtube.com\/watch?v=uY0b0qMVmLU\"><span style=\"font-family: Arial, sans-serif;\"><i>Hell Bent On Heartache<\/i><\/span><\/a><\/span><\/span><span style=\"font-family: Arial, sans-serif;\">. \u00bbMar ni ljubezen sme\u0161na, mar ni \u010dudna? Nevarna igra je, ne pozna milosti!\u00ab poje Clark in med lastne pesmi v duhu tematske usmeritve plo\u0161\u010de \u00bbnavr\u017ee\u00ab \u0161e kako drugih teksa\u0161kih avtorjev, denimo \u017ee omenjenega Lovetta <\/span><a href=\"http:\/\/www.youtube.com\/watch?v=IzV-8yQmgP4\"><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><span style=\"font-family: Arial, sans-serif;\"><i>The Waltzing Fool<\/i><\/span><\/span><\/span><span style=\"color: #0563c1;\"><span style=\"text-decoration: underline;\"><span style=\"font-family: Arial, sans-serif;\">,<\/span><\/span><\/span><\/a><span style=\"font-family: Arial, sans-serif;\"> ki jo je ta posnel na svoji prvi plo\u0161\u010di leta 1986, ko je s Steveom Earlom in Dwightom Yoakamom v country glasbo po dolgih letih \u00bburbanega kavbojstva\u00ab in drugih nashvillskih prijemov spet pripeljal nekaj izro\u010dila.<\/span><\/p>\n<p lang=\"sl-SI\">\n<p lang=\"sl-SI\"><span style=\"font-family: Arial, sans-serif;\">Clarkovo pero je \u0161e vedno imenitno, njegove pesmi so izbru\u0161ena folkovska poezija, ki natan\u010dno ve, kdaj mora kaj povedati in kako to storiti. Glas nosi patino dolgih odrskih in druga\u010de glasbenih let, tobaka in \u00bbstarih \u010dasov\u00ab, brez katerih pa bi ne bilo sedanjih mojstrovin. Pri\u010dujo\u010di album je, prav tako kot Kristoffersonova nova dela, anahronisti\u010dna mojstrovina; brez\u010dasen je in prav to je na njem najbolj imenitno. Taki se namre\u010d dandanes le \u0161e redkokdaj zgodijo.<\/span><\/p>\n<p lang=\"sl-SI\">\n","protected":false},"excerpt":{"rendered":"<p>Poklon soprogi&#8230;<\/p>\n","protected":false},"author":30,"featured_media":7088,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,6,4],"tags":[],"class_list":["post-7087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-clanki","category-plosce","category-recenzije"],"_links":{"self":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/7087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7087"}],"version-history":[{"count":3,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/7087\/revisions"}],"predecessor-version":[{"id":7209,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/posts\/7087\/revisions\/7209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=\/wp\/v2\/media\/7088"}],"wp:attachment":[{"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novamuska.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}